Hideki is a good guy.  He used a six-course mandolino played punteado to 
recorded all the mandolino and mandola works (plus two extra works for good 
measure) compiled in Dalla Casa's book (1759).  John Schneiderman provided the 
accompaniment on archlute.

Eugene


-----Original Message-----
From: [email protected] [mailto:[email protected]] On Behalf Of 
Ed Durbrow
Sent: Wednesday, June 04, 2014 7:50 PM
To: LuteNet list
Subject: [LUTE] Re: Vivaldi solo lute

You should ask Hideki Yamaya. He's done quite a bit with it. I can't keep all 
the names and instruments straight in my mind, but I think you should ask 
Hideki Yamaya. He's done quite a bit with such instruments. 
http://www.hyamaya.com

 
On Jun 4, 2014, at 3:51 PM, Konstantin Shchenikov <[email protected]> 
wrote:

>   Dear friends!
>   I am curious abour mandore (treble lute) as solo instrument for Vivaldi
>   concertos and trio sonatas with liuto obligato. Have anyone an
>   experience with it?
>   Could you point me to some research?
>   I am especially interesting about how far it from (or how close to)
>   baroque mandolin? Makes it sence to use baroque mandolin instead of
>   mandore? I've read somewhere that renaissance mandore technique was
>   quite similar to renaissance lute and fingers were in used, not
>   plectrum. What's your suggestions about 18 century? Could I use fingers
>   or have to play with plectrum?
>   And the last, do you know who can built such a thing?
>   And any other information is very appreciated!
>   Greetings from St.Petersburg,
>   Konstantin
> 
>   --
> 
> 
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Ed Durbrow
Saitama, Japan
http://www.youtube.com/user/edurbrow?feature=watch
https://soundcloud.com/ed-durbrow
http://www9.plala.or.jp/edurbrow/





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