Well into CG territory, I once saw some p-i fingerings by Vahdah Olcott
   Bickford- but no reason to assume thumb-under. (Those of us who have
   mastered LATE Renaissance lute technique find p - i runs to be just as
   fast and- except for some course crossing in descending passagi- just
   as "easy" as thumb-under/inside.)
   A little historical footnote interest, as long as we are slightly
   0ff-topic here-  and not that un-relevant to debates involving
   different historical techniques anyway:

[1]"Re: Vahdah Olcott-Bickford

   [2]Post by [3]charlesivey >> Saturday 06 September 2008, 05:11 am
   I've read several historical mentions of and by Ms. Bickford, including
   some that would be a bit out of vogue today. If I remember correctly,
   she was not particularly impressed (initially) with the dreadful way
   some Spanish guitarists, notably Segovia, departed from the old style
   and used rest strokes and an unsupported right hand position. This is
   from a vague memory of a letter she wrote that was republished years
   ago in Soundboard -- and I could have it all wrong. If so, I apologize
   profusely."
   On 8/5/2014 3:00 PM, David van Ooijen wrote:

   Sor advocated some sort of p/i for some pieces. His hand position was
   "sort of" thumb under, as far as I understand it. Many disclaimers in
   this statement, but just to say it's not a crazy thing to do. On a
   period guitar. But we're drifting into OT CG territory here. ;-)
   David

   *******************************
   David van Ooijen
   [[4]1][email protected]
   [2]www.davidvanooijen.nl
   *******************************
   On 5 August 2014 23:34, Tony [5]<[3][email protected]> wrote:

     A  A Doug and Tobiah
     A  A Just out of curiosity I attempted thumb-under lute technique on
     my CG.
     A  A I needed to raise the pinky with a lightly stuck-on pencil
     eraser (due
     A  A to the raised soundboard the strings are high). Apart from
     that, no
     A  A problem, it was easy and sounded reasonably good though
     subdued.
     A  A
     A __________________________________________________________________
     A  A From: Doug Asherman [6]<[4][email protected]>
     A  A To: lutelist Net [7]<[5][email protected]>
     A  A Sent: Tuesday, 5 August 2014, 17:35
     A  A Subject: [LUTE] Re: those Pignoses!
     A  A On 8/4/14 6:12 PM, howard posner wrote:
     A  A > On Aug 4, 2014, at 1:54 PM, Tobiah [8]<[1][6][email protected]>
     wrote:
     A  A >
     A  A > Our ears are in tune with a different set of practices
     A  A > now (at least the general public). A Perhaps if we looked up
     from
     A  A anthropology
     A  A > It's not anthropology. A It's the instruction manual. A If
     you pay
     A  A thousands of dollars for an instrument (and millions of dollars
     for
     A  A strings), you should at least read it.
     A  A >
     A  A There's an instruction manual? Why am I spending all this money
     on
     A  A lessons?
     A  A As a long-time guitar player (~40 years) and a raw beginner on
     the lute
     A  A (slightly more than a year), I'm in favor of the pinky on the
     A  A soundboard
     A  A position. A For me, at least, it makes rest strokes with the
     thumb
     A  A easier; and a decent rest stroke with the thumb makes it easier
     to play
     A  A a consistently strong melody line.
     A  A I can't really discuss right and wrong technique here, since I
     am a
     A  A beginner; I can only talk about what works for me. If I tried
     to play
     A  A the lute the same way I play guitar, I wouldn't be making much
     A  A progress.
     A  A Doug
     A  A To get on or off this list see list information at
     A  A [2][7][9]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
     A  A --
     References
     A  A 1. mailto:[[10]8][email protected]
     A  A 2. [9][11]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

   --

References

   1. [12]mailto:[email protected]
   2. [13]http://www.davidvanooijen.nl/
   3. [14]mailto:[email protected]
   4. [15]mailto:[email protected]
   5. [16]mailto:[email protected]
   6. [17]mailto:[email protected]
   7. [18]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
   8. [19]mailto:[email protected]
   9. [20]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html



   --

References

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   2. 
file://localhost/net/people/lute-arc/viewtopic.php?p26213&sid%C2%B0bdbbca15b026e26fdeca6fbe2f11ed#p326213
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file://localhost/net/people/lute-arc/memberlist.php?mode=viewprofile&uA68&sid%C2%B0bdbbca15b026e26fdeca6fbe2f11ed
   4. mailto:1][email protected]
   5. mailto:[3][email protected]
   6. mailto:[4][email protected]
   7. mailto:[5][email protected]
   8. mailto:[1][6][email protected]
   9. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
  10. mailto:8][email protected]
  11. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
  12. mailto:[email protected]
  13. http://www.davidvanooijen.nl/
  14. mailto:[email protected]
  15. mailto:[email protected]
  16. mailto:[email protected]
  17. mailto:[email protected]
  18. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
  19. mailto:[email protected]
  20. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

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