I think there is a certain goofball element to the pic, like someone
   today posing with the back of a guitar facing the viewer.

   I don't think the wear marks on the belly of the instrument are out of
   line, however. The one by the strings is close to the bridge, as
   instructions direct one to place the pinky; the one on the upper edge
   is right where a player's arm would make contact with the instrument;
   the mark at the neck joint could be from fretting notes on the body or
   simply from where one grips it to carry the lute.

   Although it seems the lute is being used purely as a prop (or gag) in
   this painting, the wear marks make it likely that it was also used for
   actual music playing at some point.

   Chris
   [1]Sent from Yahoo Mail for iPhone

   On Tuesday, November 24, 2015, 9:49 AM, William Brohinsky
   <[email protected]> wrote:

     So what do I know? the top of the bass extension appears to have at
     least two pegs mounted perpendicular to the others, coming out of or
     going behind the plane of the neck. If there are three arranged that
     way, it would account for all 9 string.
     To me, it looks like two strings on the lute are broken, and someone,
     the Lady, perhaps, has gathered the loose lengths up and tucked them
     under the string plane to keep them out of the way.
     Many portraits of this era made use of allegory: perhaps the artist
   was
     aware of, and painted into the picture, his assessment of the
   couple's
     relationship, the lady's pre-occupied look to the heavens and her
     instrument's broken strings being connected and a statement upon
   either
     her fidelity or comfort with her portrait-sharing partner?
     If I were asked to sit for a portrait with such an instrument, and
     told, by the artist, to sit on the right side of the other person, I
     would, politely and inappropriately-for-playing, rotate the lute in
   my
     lap to stick the neck off to the left. So I don't take any hints of
     handedness of the picture from that. The broken strings, the
     inattention or even ennui on her face, and the dog add up to
   unmusical
     indications of the Lady's status in the eyes of the painter, though.
     ray
     On Tue, Nov 24, 2015 at 8:53 AM, Martyn Hodgson
     <[1][2][email protected]> wrote:
           Dear Gary,
           I do agree: this is why I suggested that 'In short, the very
   act
       of
           posing for the picture was
           the statement rather than the playing of music'.
           regards,
           Martyn
       __________________________________________________________________
           From: Gary Boye <[2][3][email protected]>
           To: Martyn Hodgson <[3][4][email protected]>
           Cc: David Van Edwards <[4][5][email protected]>;
       "[5][6][email protected]"
           <[6][7][email protected]>
           Sent: Tuesday, 24 November 2015, 13:19
           Subject: Re: [LUTE] Re: Another lute picture?
         Martyn,
         There seems to be an inside joke we're not privy to here. It may
     just
         be that the artist liked the 90 degree angle created by the 2
         instruments when held this way. And/or if she held it in the
   normal
         position she would have risked obscuring the man's face and
   throwing
         off the composition.But look at the dog: he/she doesn't seem to
   be
         enjoying the lute playing and the reaction is aimed pointedly at
   the
         lute player. Something important is happening there.
         This borders on parody, seen apparently from the point of view of
     the
         male gamba player, who looks directly at us. Subtle; but barely .
   .
     .
         It seems to me to be a joke on the woman, whether or not she was
     "in"
         on it.
         Gary
         On Tue, Nov 24, 2015 at 6:14 AM, Martyn Hodgson
         <[1][7][8][email protected]> wrote:
             Very interesting David.
             It may be simply a fashionable couple wanting to be portrayed
             performing but in fact unable to play a note! Perhaps the
     painter
           who,
             as you point out, might be thought to have known better was
           laughing up
             his sleeve...
             Or perhaps, and maybe more likely (the painter might not have
           wished to
             be later seen to make fools of his rich clients), they had
           insisted on
             this sort of pose (it certainly looks very stylised
   especially
           with the
             young lady's eyes turned to heaven etc) and their insistence
           overcame
             any scruples the painter may have expressed about depicting
     them
             actually playing. In short, the very act of posing for the
           picture was
             the statement rather than the playing of music.
             regards
             Martyn

   __________________________________________________________________
             From: David Van Edwards <[2][8][9][email protected]>
             To: [3][9][10][email protected]
             Sent: Tuesday, 24 November 2015, 10:50
             Subject: [LUTE] Another lute picture?
               Dear All,
               My Lute of the Month series has dwindled to lute of the
   Year
           these
               days! It's because I've mainly been writng them for the
   Lute
             Society's
               newsletter, Lute News, now it has a nice full colour cover.
               But here is the latest, as it were more public, example up
   on
           the web
               at
     [1][4][10][11]http://www.vanedwards.co.uk/month/Nov%2015/month.htm
               I hope you find it fun! As usual please email me any
           corrections or
               comments
               Best wishes,
               David
             --
               The Smokehouse,
               6 Whitwell Road,
               Norwich,  NR1 4HB
               England.
               Telephone: [5][11][12]+ 44 (0)1603 629899
               Website: [2][6][12][13]http://www.vanedwards.co.uk
               --
             To get on or off this list see list information at
     [3][7][13][14]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
             --
           References
             1.
   [8][14][15]http://www.vanedwards.co.uk/month/Nov%2015/month.htm
             2. [9][15][16]http://www.vanedwards.co.uk/
             3.
     [10][16][17]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
         --
         Gary R. Boye, M.S.L.S., Ph.D.
         Erneston Music Library
         Appalachian State University
         --
     References
         1. mailto:[17][18][email protected]
         2. mailto:[18][19][email protected]
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         4. [20][21]http://www.vanedwards.co.uk/month/Nov%2015/month.htm
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         6. [21][22]http://www.vanedwards.co.uk/
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         8. [23][24]http://www.vanedwards.co.uk/month/Nov%2015/month.htm
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     --
   References
     1. mailto:[27][email protected]
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     9. mailto:[35][email protected]
     10. [36]http://www.vanedwards.co.uk/month/Nov%2015/month.htm
     11. tel:%2B%2044%20%280%291603%20629899
     12. [37]http://www.vanedwards.co.uk/
     13. [38]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
     14. [39]http://www.vanedwards.co.uk/month/Nov%2015/month.htm
     15. [40]http://www.vanedwards.co.uk/
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     17. mailto:[42][email protected]
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     19. mailto:[44][email protected]
     20. [45]http://www.vanedwards.co.uk/month/Nov%2015/month.htm
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