Are we sure the strings are actually broken? The viol player has the
   extra length of string tied up in a nice bundle.

   I do this on electric guitar: pull the string trough the tuning capstan
   almost all the way, then twist the extra up in a coil. This is very
   helpful when it breaks at the bridge. Just uncoil, twist the ball end
   onto the end and you have a "new" string.

   Chris
   [1]Sent from Yahoo Mail for iPhone

   On Tuesday, November 24, 2015, 10:29 AM, AJN <[email protected]>
   wrote:

     Oh.  I couldn't see the broken strings.  There is allegorical
   symbolism
     of broken strings, and Charlotte told me about
     an entire book devoted to the matter.  I've often puzzled over the
     wonderful engraving of Ochsenkhun from his lute book.
     He has such a surprised look on his face: "Oh, damn, I just changed
     that string yesterday!"
     On 11/24/15, William Brohinsky<[2][email protected]> wrote:
     So what do I know? the top of the bass extension appears to have at
     least two pegs mounted perpendicular to the others, coming out of or
     going behind the plane of the neck. If there are three arranged that
     way, it would account for all 9 string.
     To me, it looks like two strings on the lute are broken, and someone,
     the Lady, perhaps, has gathered the loose lengths up and tucked them
     under the string plane to keep them out of the way.
     Many portraits of this era made use of allegory: perhaps the artist
   was
     aware of, and painted into the picture, his assessment of the
   couple's
     relationship, the lady's pre-occupied look to the heavens and her
     instrument's broken strings being connected and a statement upon
   either
     her fidelity or comfort with her portrait-sharing partner?
     If I were asked to sit for a portrait with such an instrument, and
     told, by the artist, to sit on the right side of the other person, I
     would, politely and inappropriately-for-playing, rotate the lute in
   my
     lap to stick the neck off to the left. So I don't take any hints of
     handedness of the picture from that. The broken strings, the
     inattention or even ennui on her face, and the dog add up to
   unmusical
     indications of the Lady's status in the eyes of the painter, though.
     ray
     On Tue, Nov 24, 2015 at 8:53 AM, Martyn Hodgson
     <[1][1][3][email protected]> wrote:
     Dear Gary,
     I do agree: this is why I suggested that 'In short, the very act
     of
     posing for the picture was
     the statement rather than the playing of music'.
     regards,
     Martyn
     __________________________________________________________________
     From: Gary Boye <[2][2][4][email protected]>
     To: Martyn Hodgson <[3][3][5][email protected]>
     Cc: David Van Edwards <[4][4][6][email protected]>;
     "[5][5][7][email protected]"
     <[6][6][8][email protected]>
     Sent: Tuesday, 24 November 2015, 13:19
     Subject: Re: [LUTE] Re: Another lute picture?
     Martyn,
     There seems to be an inside joke we're not privy to here. It may
     just
     be that the artist liked the 90 degree angle created by the 2
     instruments when held this way. And/or if she held it in the normal
     position she would have risked obscuring the man's face and throwing
     off the composition.But look at the dog: he/she doesn't seem to be
     enjoying the lute playing and the reaction is aimed pointedly at the
     lute player. Something important is happening there.
     This borders on parody, seen apparently from the point of view of
     the
     male gamba player, who looks directly at us. Subtle; but barely . .
     .
     It seems to me to be a joke on the woman, whether or not she was
     "in"
     on it.
     Gary
     On Tue, Nov 24, 2015 at 6:14 AM, Martyn Hodgson
     <[1][7][7][9][email protected]> wrote:
     Very interesting David.
     It may be simply a fashionable couple wanting to be portrayed
     performing but in fact unable to play a note! Perhaps the
     painter
     who,
     as you point out, might be thought to have known better was
     laughing up
     his sleeve...
     Or perhaps, and maybe more likely (the painter might not have
     wished to
     be later seen to make fools of his rich clients), they had
     insisted on
     this sort of pose (it certainly looks very stylised especially
     with the
     young lady's eyes turned to heaven etc) and their insistence
     overcame
     any scruples the painter may have expressed about depicting
     them
     actually playing. In short, the very act of posing for the
     picture was
     the statement rather than the playing of music.
     regards
     Martyn
     __________________________________________________________________
     From: David Van Edwards <[2][8][8][10][email protected]>
     To: [3][9][9][11][email protected]
     Sent: Tuesday, 24 November 2015, 10:50
     Subject: [LUTE] Another lute picture?
     Dear All,
     My Lute of the Month series has dwindled to lute of the Year
     these
     days! It's because I've mainly been writng them for the Lute
     Society's
     newsletter, Lute News, now it has a nice full colour cover.
     But here is the latest, as it were more public, example up on
     the web
     at

   [1][4][10][10][12]http://www.vanedwards.co.uk/month/Nov%2015/month.htm
     I hope you find it fun! As usual please email me any
     corrections or
     comments
     Best wishes,
     David
     --
     The Smokehouse,
     6 Whitwell Road,
     Norwich, NR1 4HB
     England.
     Telephone: [5][11][13]+ 44 (0)1603 629899
     Website: [2][6][12][11][14]http://www.vanedwards.co.uk
     --
     To get on or off this list see list information at

   [3][7][13][12][15]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.htm
   l
     --
     References
     1.
   [8][14][13][16]http://www.vanedwards.co.uk/month/Nov%2015/month.htm
     2. [9][15][14][17]http://www.vanedwards.co.uk/
     3.

   [10][16][15][18]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
     --
     Gary R. Boye, M.S.L.S., Ph.D.
     Erneston Music Library
     Appalachian State University
     --
     References
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     2. mailto:[18][17][20][email protected]
     3. mailto:[19][18][21][email protected]
     4. [20][19][22]http://www.vanedwards.co.uk/month/Nov%2015/month.htm
     5. file://localhost/net/people/lute-arc/L2144-3612TMP.html
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     8. [23][22][25]http://www.vanedwards.co.uk/month/Nov%2015/month.htm
     9. [24][23][26]http://www.vanedwards.co.uk/
     10.
   [25][24][27]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
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     34. [85]http://www.vanedwards.co.uk/month/Nov%2015/month.htm
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     36. [87]http://www.cs.dartmouth.edu/
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     38. [89]http://www.vanedwards.co.uk/
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     43. [94]http://www.vanedwards.co.uk/month/Nov%2015/month.htm
     44. [95]http://www.vanedwards.co.uk/
     45. [96]http://www.cs.dartmouth.edu/
     46. [97]http://www.vanedwards.co.uk/month/Nov%2015/month.htm
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