Now I don't know whether you missed the irony or ignored it!

-----Original Message-----
From: "[email protected]" <[email protected]>
Sent: ‎24/‎11/‎2015 21:02
To: "Stuart Walsh" <[email protected]>; "David Van Edwards" 
<[email protected]>
Cc: "[email protected]" <[email protected]>
Subject: Re: [LUTE] Re: Another lute picture?

2 painters and 1 sculptor.
RT



On 11/24/2015 3:58 PM, Stuart Walsh wrote:

Roman

Where there any painters in the Sautscheck family?


From: [email protected]
Sent: ‎24/‎11/‎2015 20:25
To: Stuart Walsh; David Van Edwards
Cc: [email protected]
Subject: [LUTE] Re: Another lute picture?


   the painting technique looks pretty genuine to me. so do garment
   fashions.
   RT

   On 11/24/2015 2:22 PM, Stuart Walsh wrote:

   Definitely 17th century?
     __________________________________________________________________

   From: [1][email protected]
   Sent: 24/11/2015 18:56
   To: [2]Stuart Walsh; [3]David Van Edwards
   Cc: [4][email protected]
   Subject: [LUTE] Re: Another lute picture?

   That's my take. A 17th century blond joke.
   RT
   On 11/24/2015 1:47 PM, Stuart Walsh wrote:
   > Somebody with the intention and the skill and knowledge to create a
   fake 17th century Dutch master would surely have not included all the
   odd things that David points to. Could the painting be the equivalent
   of a sort of folly?
   >
   > -----Original Message-----
   > From: "David Van Edwards" [5]<[email protected]>
   > Sent: tAO24/tAO11/tAO2015 17:22
   > To: "WALSH STUART" [6]<[email protected]>
   > Cc: [7]"[email protected]" [8]<[email protected]>
   > Subject: [LUTE] Re: Another lute picture?
   >
   > Dear Stuart,
   >
   > No you're right. I cannot see how it could possibly be genuine. And I
   > thought I'd been pretty clear in the article, but maybe my lightly
   > ironic tone doesn't make it across the pond.
   >
   > Best wishes,
   >
   > David
   >
   >
   >
   > At 17:08 +0000 24/11/15, WALSH STUART wrote:
   >> On 24/11/2015 15:36, David Van Edwards wrote:
   >>>      However I think the painting I discussed was simply copying
   the prop[s]
   >>>      from Eglon van der Neer's works! The physical impossibility of
   holding
   >>>      such a lute in such a position without grossly disturbing the
   diapason
   >>>      strings makes me think that the painting has nothing to do
   with either
   >>>      van der Neer or van der Werff. Plus all the other
   anachronisms!
   >>
   >> Fascinating.
   >>
   >>
   >> David, I read your interpretation as being much more sceptical about
   >> this painting than the people who have so far contributed to this
   >> thread. Am I wrong?
   >>
   >>
   >>
   >> Stuart
   >>
   >>>      Best wishes,
   >>>
   >>>      David
   >>>
   >>>      At 08:38 -0600 24/11/15, AJN wrote:
   >>>
   >>>           There are paintings of the interiors of artists' studios
   that
   >>>        show
   >>>           props used in pictures:
   >>>           busts, skulls, ornate chairs, drapes and sometimes (iirc)
   musical
   >>>           instruments.  Such
   >>>           props are even listed in tax inventories, I understand.
   >>>           Art historians have traced some from painting to
   painting, e.g.,
   >>>        an
   >>>           ornate three-leg chair.
   >>>           Instruments might serve, as perhaps is the case in this
   painting,
   >>>           as symbols of the harmonious nature of love.  The over
   reaction
   >>>        of the
   >>>           sitters in
   >>>           this painting recalls, at least to me, the depictions of
   various
   >>>           emotions illustrated in old treatises on acting.
   "Hamming it up"
   >>>        seems
   >>>           to have been part of theatrical performances
   >>>           in the past. So, one might argue, this painting may have
   been
   >>>        intended
   >>>           as a serious depiction.  Ad the angles of the
   >>>           two instruments, as Gary notes, may have been foremost in
   the
   >>>        artist's
   >>>           plan.
   >>>           On the other hand, musicians would surely demand
   precision in the
   >>>           depiction of fingerings, holding the instrument, etc.,
   >>>           because their professional competency might otherwise be
   >>>        questioned.
   >>>           Interesting discovery, David.  I must visit your web page
   more
   >>>
   >>>           frequently.  Arthur
   >>>
   >>> --
   >>>
   >>>      The Smokehouse,
   >>>      6 Whitwell Road,
   >>>      Norwich,  NR1 4HB
   >>>      England.
   >>>
   >>>      Telephone: + 44 (0)1603 629899
   >>>      Website: [9]http://www.vanedwards.co.uk
   >>>
   >>>      --
   >>>
   >>>
   >>> To get on or off this list see list information at
   >>> [10]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
   >>>
   >>
   >> ---
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