Sorry for the numerous typos !!! Haste and enthusiasm are to blame ;-) !
JMP


--------------
 
>I agree with Ronabout mis-attributions of "Gautier" pieces to Jacques or 
>Ennemond.
>I have been doing quite a bit of research on that topic and am actually 
>planning to record the 
>pieces in vieil ton attributed to "Gautier" 'whatever the spelling) along with 
>the pieces by Mésangeau and Lespine, 
>when I get the funding...
>All these peopole are more or less exact contemporaries, including Robert 
>Ballard and teheir style is very 
>coherent indeed. Sometimes Jacques Gaultier distinguishes himself, not only by 
>using a 12 course lute, but by a
>different style too, not as "continental" as the others. But I must agree that 
>the distinction is very very hard to do sometimes.
>He (Jacques) left Frace not to return, in 1617 when the others were starting 
>careers at court or in the service of rich nobles. Very much a sort of 
>emerging "French school" there.
>
>What is also interesting is that, some of them, Mesangeau, Ballard, Lespine, 
>and some "Gaultier", very probably Ennemond most of the time, are also 
>represented in the accord nouveaux repertoire.
>And yet, strangely enough Vieux Gaultier is mainly known for his pieces in 
>baroque tuning.
>Knowing that the first publication using this d minor tuning was by Bouvier in 
>1638, it is hard to believe that Vieux Gaultier, who was about 63 then and 
>retiring to his original Dauphiné, 
>after the banishment of his employer, Queen Mother Marie de Medicis, would 
>have built up his immense reputation on pieces in the new baroque tuning in 
>the last 14 years of his life.....
>So it is a matter rational reasoning to admit of that a good deal of his 
>production lies in manuscripts in vieil ton and accord nouveaux. 
>And there is some evidence, (scant at the moment but in it's a work progress) 
>that pieces in transitional tuning also appear a bit later on in the D minor 
>tuning...
>
>Best,
>
>Jean-Marie Poirier
>
>
>
>
>--------------
> 
>>   Dear Ron,
>>   I have a whole volume of vieux Gautier by CNRS. Are you saying their
>>   scholarship is mostly just speculation?
>>   G.
>>   On Fri, Feb 10, 2017 at 4:46 PM, Ron Andrico <[1]praelu...@hotmail.com>
>>   wrote:
>>
>>        Hello Rainer:
>>        As you know from John Robinson's list, most of the manuscript
>>     pieces in
>>        old tuning cited merely indicate various spellings of "Gautier",
>>     and
>>        there are no firm attributions to Ennemond.   However, I believe
>>     that a
>>        handful of pieces from Herbert are by Ennemond and not by Jacques
>>     as
>>        they are usually speculatively ascribed.   My attribution is
>>     likewise
>>        pure speculation but based on sound reasoning.
>>        Mary Burwell's anonymous lute tutor described Jacques as having a
>>        thunderous approach to playing his basses, which may very well
>>     only
>>        have been a critique of his extended-bass instrument.    But if
>>     you
>>        spend a bit of time with Ennemond's music in d-minor tuning, you
>>     can
>>        develop a sense of his style, which appears quite simple but is
>>     very
>>        delicate and nuanced.
>>        Try the courante in Herbert f. 37, for instance, and the simpler
>>     but
>>        very delicate courante in Herbert f. 40v.   I also tend to think
>>        Aegidius f. 67v and f. 100v are by Ennemond.
>>        RA
>>          ____________________________________________________________
>>     ______
>>        From: [2]lute-...@cs.dartmouth.edu <[3]lute-...@cs.dartmouth.edu>
>>     on behalf
>>        of Rainer <[4]rads.bera_g...@t-online.de>
>>        Sent: Friday, February 10, 2017 2:54 PM
>>        To: Lute net
>>        Subject: [LUTE] Gautier in viel ton
>>        Dear lute netters,
>>        can anybody recommend pieces by Ennemond Gautier in viel ton
>>     (with
>>        sources)?
>>        I have John Robinson's list, but it is very old and, of course,
>>     doesn't
>>        tell us anything about the quality of the music.
>>        Rainer adS
>>        PS
>>        of course, I have a 10c lute.
>>        To get on or off this list see list information at
>>        [1][5]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
>>        [2]Frequently Asked Technical Questions about the lute mail list
>>        [6]www.cs.dartmouth.edu
>>        Frequently Asked Technical Questions about the lute mail list.
>>     getting
>>        on and off the list; How do I get on the lute mail list? How do I
>>     get
>>        off the lute mail list?
>>        --
>>     References
>>        1. [7]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
>>        2. [8]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
>>
>>   --
>>
>>References
>>
>>   1. mailto:praelu...@hotmail.com
>>   2. mailto:lute-...@cs.dartmouth.edu
>>   3. mailto:lute-...@cs.dartmouth.edu
>>   4. mailto:rads.bera_g...@t-online.de
>>   5. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
>>   6. http://www.cs.dartmouth.edu/
>>   7. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
>>   8. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
>>
>
>


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