I have heard it a few days ago, as it is available on Spotify.
I daresay it is Muhly's best, and his least modernist piece I've heard.
RT


On 12/22/2017 2:05 PM, Peter Martin wrote:
    I think you've nailed it, Christopher.

    By the way, has *anyone* else heard the Nico Muhly piece?

    Peter

    On Friday, 22 December 2017, Christopher Wilke
    <[1][email protected]> wrote:

      Newer music for the lute is a tough sell because it subverts
      audience expectations. I don't think it's too much of an assumption
      to say that most lute fans (both listeners and players) became
      interested in the instrument because they were attracted to early
      music first. Therefore, in this mindset, the lute is "for" early
      music and anything else introduces disconcerting cognitive
      dissonance. Some folks are genuinely offended that anyone would play
      something other than old European music on a lute. That's a
      significant enough segment of the already tiny lute audience that
      one risks alienating. That's a large disincentive to spend the time
      learning modern pieces, even for those interested in expanding the
      repertoire. (Personally, I've never seen it this way at all. To me,
      anything that sounds good on the instrument is fair game, regardless
      of style or period.)
      It's interesting that the harpsichord has not had this problem.
      There is a sizeable body of contemporary music for solo harpsichord
      as well as in ensemble compositions written by heavy weight
      composers. The late Elizabeth Chojnacka made virtually her entire
      career out of performing contemporary harpsichord music. (She passed
      away this past May.)
      Chris
      Dr. Christopher Wilke D.M.A.
       Lutenist, Guitarist and Composer
       [2]www.christopherwilke.com
      --------------------------------------------
      On Fri, 12/22/17, Tristan von Neumann <[3][email protected]>
      wrote:
       Subject: [LUTE] Re: New music
       To: "lutelist Net" <[4][email protected]>
       Date: Friday, December 22, 2017, 9:32 AM
       Not exactly "new", but modern:
       Charles Tournemire requests a lute in
       his 8th Symphony (1924) :)
       Not a piece you can play with your
       friends though, except if you are
       friends with a Philharmonic
       Orchestra...
       Am 22.12.2017 um 12:23 schrieb Jim
       Dunn:
       >       As the lute becomes
       slowly more popular, I think we'll see more
       >       contemporary lute
       music popping up equally slowly (I think lutes in
       >       their various guises
       have a very interesting tonality and set of
       >       limitations to
       compose for, I'm enjoying making my own ham-fisted
       >       efforts at
       least...)
       >       Meanwhile, not
       necessarily all 'new' material, but I've been enjoying
       >       Peter SÃ ¶derberg's
       three contemporary lute records:   20th century stuff
       >       like Cage, Tenney,
       Stockhausen etc, as well as recordings of more
       >       recent things
       written specifically for lute. The non-lute material he
       >       has selected comes
       over very well in my opinion.
       >       Here's to more!
       >
       >       On 22 Dec 2017,
       00:21 +0000, Eric Hansen <[5][email protected]>,
       >       wrote:
       >
       >         Hartt School
       composer David Macbride composes solo lute music for
       >         me, a
       >         total of 13
       pieces as of this writing. I played one of them at the
       >         Lute Society
       Seminar in Cleveland a few years ago, it's up on
       >         YouTube.
       >         He and I have
       begun to record the pieces, a few at a time.
       >         Best to all,
       >         Eric
       >         On Thu, Dec
       21, 2017 at 5:38 PM, Jacob Johnson
       >         <[1][6][email protected]>
       wrote:
       >         I don't think
       that's entirely accurate. Ronn McFarlane plays his
       >         own
       >         compositions,
       Jakob Lindberg performs the Britten Nocturnal (I
       >         know,
       >         it's not that
       new, and it's not really for lute, but IMO it kinda
       >         counts),
       Chris Wilke recorded a whole cd of Roman Turovsky's new
       >         works
       >         for baroque
       lute, I saw Elizabeth Kenny perform TWO recent
       >         theorbo
       >         commissions
       at the LuteFestWest, and there's certainly more
       >         examples I
       >         just can't
       think of at the moment.
       >         As soon as I
       can afford to do so, I intend to commission some
       >         works for
       >         myself to
       play.
       >         Jacob
       Johnson
       >
       [uc?export=download&id=0B6_gM3BRE6ZrYVVZZU5QNmJqdDQ&
       >
       amp;revid=0B6_g
       >
       M3BRE6ZraW9nQ2U4SGNwV0tYVWxobnNBVjBsZi9FNHhzPQ]
       >         Guitar/Lute
       >
       [1][2][7]www.johnsonguitarstudio.com
       >
       [3]469.237.0625.
       >         On Thu, Dec
       21, 2017 at 4:12 PM, Christopher Stetson
       >         <[2][4][8][email protected]>
       wrote:
       >         Hello all.
       >         An
       interesting question, Peter, thanks for bringing it up.
       >         To
       >         answer
       >         honestly and
       personally, I'm not especially interested in new
       >         music,
       >         per se, for
       any of the instruments I play (mainly lute, guitar,
       >         mandolin, but
       some others too). I couldn't really say why,
       >         except
       >         that the
       music I've looked at from the last 30 years tends, and
       >         I
       >         mean
       >         tends, to be
       difficult and not especially tuneful to my ear.
       >         There
       >         are
       exceptions, of course, and I play some of those, though
       >         mostly on
       >         guitar. I'm
       not a professional, so I tend to be fairly
       >         conservstive
       >         in the music
       I choose to spend time seeking out and playing.
       >         I
       >         also
       >         don't play
       many of the old compositions that fit the above
       >         criteria.
       >         I fully
       realize. however, that one person's difficult is
       >         another
       >         person's
       interesting, and I'm really glad that people are
       >         writing
       >         new
       >         music for
       lute.
       >         Best to all,
       and keep playing,
       >         Chris.
       >         On Thu, Dec
       21, 2017 at 2:34 PM, Peter Martin
       >
       <[1][3][5][9][email protected]
       >         wrote:
       >         Hello all,
       >         I recently
       bought a Wigmore Hall Live CD of a 2013 concert
       >         by
       >         countertenor
       Iestyn Davies and lutenist Thomas Dunford.
       >         It
       >         included
       >         the world
       premiere performance of a substantial piece by
       >         Nico
       >         Muhly
       >         called Old
       Bones. Up to now, I'd never heard of it,
       >         which
       >         surprised
       >         me because
       Muhly is a very successful young American
       >         composer.
       >         His
       >         new opera
       Marnie has just premiered at English National
       >         Opera,
       >         and his
       >         previous
       opera Two Boys was given at ENO and at the Met in
       >         New
       >         York.
       >         The score of
       Old Bones is available from Music Sales.
       >         Yet I
       >         can't see
       >         that the lute
       world has paid the slightest attention to it.
       >         Which sets me
       wondering, not about Muhly as such, but about
       >         new
       >         music
       >         generally.
       With the honourable exception of Jacob
       >         Heringman,
       >         scarcely
       >         anyone plays
       it. Any thoughts on why this is? Are
       >         we
       >         simply
       >         not
       >         interested in
       new music?
       >         Peter
       >         --
       >         To get on or
       off this list see list information at
       >
       [2][4][6][10]http://www.cs.dartmouth.
       >
       edu/~wbc/lute-admin/index.html
       >         --
       >         References
       >         1.
       mailto:[5][7][11][email protected]
       >         2.
       [6][8][12]http://www.cs.dartmouth.
       >
       edu/~wbc/lute-admin/index.html
       >         --
       >         References
       >         1. [9][13]http://www.johnsonguitarstudio.com/
       >         2.
       mailto:[10][14][email protected]
       >         3.
       mailto:[11][15][email protected]
       >         4. [12][16]http://www.cs.dartmouth.
      edu/~wbc/lute-admin/index.html
       >         5.
       mailto:[13][17][email protected]
       >         6. [14][18]http://www.cs.dartmouth.
      edu/~wbc/lute-admin/index.html
       >         --
       >         Eric Hansen
       >         Librarian
       & lutenist
       >         --
       >         References
       >         1. mailto:[19][email protected]
       >         2. [20]http://www.johnsonguitarstudio.com/
       >         3.
       tel:469.237.0625
       >         4. mailto:[21][email protected]
       >         5. mailto:[22][email protected]
       >         6. [23]http://www.cs.dartmouth.edu/~
      wbc/lute-admin/index.html
       >         7. mailto:[24][email protected]
       >         8. [25]http://www.cs.dartmouth.edu/~
      wbc/lute-admin/index.html
       >         9. [26]http://www.johnsonguitarstudio.com/
       >         10. mailto:[27][email protected]
       >         11. mailto:[28][email protected]
       >         12. [29]http://www.cs.dartmouth.edu/~
      wbc/lute-admin/index.html
       >         13. mailto:[30][email protected]
       >         14. [31]http://www.cs.dartmouth.edu/~
      wbc/lute-admin/index.html
       >
       >       --
       >
       >
      To get on or off this list see list information at
      [32]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

    --
    null
    --

References

    1. mailto:[email protected]
    2. http://www.christopherwilke.com/
    3. mailto:[email protected]
    4. mailto:[email protected]
    5. mailto:[email protected]
    6. mailto:[email protected]
    7. http://www.johnsonguitarstudio.com/
    8. mailto:[email protected]
    9. mailto:[email protected]
   10. http://www.cs.dartmouth/
   11. mailto:[email protected]
   12. http://www.cs.dartmouth/
   13. http://www.johnsonguitarstudio.com/
   14. mailto:[email protected]
   15. mailto:[email protected]
   16. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
   17. mailto:[email protected]
   18. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
   19. mailto:[email protected]
   20. http://www.johnsonguitarstudio.com/
   21. mailto:[email protected]
   22. mailto:[email protected]
   23. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
   24. mailto:[email protected]
   25. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
   26. http://www.johnsonguitarstudio.com/
   27. mailto:[email protected]
   28. mailto:[email protected]
   29. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
   30. mailto:[email protected]
   31. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
   32. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html



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