Thank you Antonio!

This compilation is great - and this is why it's important to have some people on the list who actually live in Spanish repertoire.
It seems pictures don't actually tell more than a thousand words.
At least if they are not photographs :)

Maybe the 12th fake peg is just for Catholic Spain, could be Judas :)
And if a peg doesn't work well, it's a spare you don't need to look for.


Am 22.01.2018 um 12:46 schrieb Antonio Corona:
    Dear G.
    It just might, but I'd rather stay with the categorical statements
    rather than just entertaining a possibility.
    Here are a few titbits:
    A character from a play desires to play the vihuela; his servant
    remarks that "no podras señor tañer/ porque le falta la prima / y
    estan las bozes gastadas" (Comedia Himenea in Bartolomé de Torres
    Naharro's, Propalladia, Naples, 1517). This vihuela is not lacking two
    primas ...
    A riddle by Pedro del Pozo about the vihuela (Cancionero, ms. 1547)
    fastens on the gut strings, and likens them to eleven dead: (Pasando
    por una huerta / vi una casa muy escura, / de muy estraña hechura / un
    laço hecho a la puerta. / Onze muertos ende estauan / un bivo que les
    herÃa ... ). Eleven strings for twelve pegs?
    An allegoy about temperance: "Queriendo venir de encima / el tañedor
    sin segundo, / no hallo aun que se estima / en la vihela del mundo /
    templada mas que la prima" (Jorge de Montemayor, Las obras, Antwerp,
    1554).  The reference to the "player without second" would be pointless
    with two primas ...
    A poet complains about his grief but nevertheless acknowledges  tha he
    finsd consolation in weeping, "Como aquel que con cautela / afloxa para
    otro dia / la prima de la vihuela" (Antonio de Villegas, Inventario,
    Medina del Campo,, 1565). Just one  string to loosen ...
    An allegory about faith and sin; if faith is broken: "ni mas ni menos
    como en la vihuela, rompida la prima, auque las demas cuerdas queden en
    su punto, la musica queda manca" (Esteban de Salazar, Veynte discursos
    sobre el Credo, Granada, 1577). Nothing here about two broken strings
    ...
    "En vna vihuela, instrumento de musica, aunque ay muchas cuerdas, todas
    estan apareadas de dos en dos, vna no mas esta sola sin igual, que es
    la prima, que esta sin compañia" (Phillipe Diez, Marial de la
    sacratisima virgen, Salamanca, 1595). No further comment needed here.
    In an allegory about how our body should be as welll tuned as vihuela:
    "A de estar nuestro subjeto tan concertado para tener buena salud, como
    como una vihuela bien templada para que suene bien al oydo y no haga
    disonancia, porque si las segundas, o la prima  hazen dissonancia
    sonara mal y no se podra oyr" (Juan de las Ruelas, Hermosura corporal
    de la Madre de Dios, Sevilla, 1621). Seconds: plural; prima: singular.
    "Prima es la cuerda primera y mas delgada de los instrumentos como la
    vihuela y la guitarra" (Sebastián de Covarrubias, Tesoro de la lengua
    castellana o española, Madrid, 1611). Note that it states "the first",
    in singular.
    "Los musicos mas diestros, doblan las cuerdas en los instrumentos
    muchas vezes, pero la prima jamas ha de ser mas que vna" (Cristóbal de
    Fonseca, Primera parte de la vida de Cristo, Madrid, 1622). Never more
    than one prima ...
    Another religious allegory: "Ni el tañedor quando templa la vihuela
    dexara boluiendo la clauija, de subir la cuerda, y estirarla, y
    estirarla, hata que vea, segun el arte, que esta proporcionada con la
    prima (por la cual se templan las otras)" (Miguel Angel Almenara,
    Pensamientos literales y morales sobre los evangelios ..., Valencia,
    1623). Interesting to learn that it is from the single prima that the
    rest of the strings are tuned.
    Antonio Ferrer calls Virgin Mary "la prima en la vihuela del universo"
    (Arte de conocer y agradar a Jesus, Orihuela, 1631). It would be rather
    heretic to consider the possibility of two virgins ...
    There are plenty more references and, since there seems to be a general
    agreement among the writers of the time, who am I to contradict them?
    Best wishes,
    Antonio
      __________________________________________________________________

    From: G. C. <kalei...@gmail.com>
    To: Antonio Corona <abcor...@yahoo.com>
    Sent: Monday, 22 January 2018, 4:23
    Subject: Re: [LUTE] Re: Double first courses (chanterelles)
    Hola Antonio,
    wouldn't the fact that there are 12 pegs indicate the possibility of
    DSC, even though it's perhaps not mentioned in the litterature? Why
    would they go through the trouble to put an extra peg in just for
    decoration? It wouldn't have been put there for the purpose of a 7th
    single bourdon, would it?
    Saludos
    G.
    On Mon, Jan 22, 2018 at 11:08 AM, Antonio Corona
    <[1]abcor...@yahoo.com> wrote:
    Dear G.
    I'd love to know about the evidence about different usages for the
    vihuela.
    Best wishes
    Antonio

    --

References

    1. mailto:abcor...@yahoo.com


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