I do hear similarities between the two. But I hear similarities among
   lots of musics â from Steve Reich to "space music" to troubadour songs
   in similar modes, and do not think it means direct contact or
   transmission of the sort I think you are asserting.
   I find the unique musical gestures of each more interest, and the
   unique tone colors of the instruments used more important  than
   unifying features of mode or raga however illustrated.

   Susan

   On Thu, Feb 8, 2018 at 10:38 AM Tristan von Neumann
   <[1]tristanvonneum...@gmx.de> wrote:

     Thank you Susan!
     I am aware of Schenker - I studied musicology back in the day.
     This would be indeed the best approach, but I guess it is possible
     to
     find the exact match when analyzing just what is there.
     Indian understanding - as it appears to me - basically *is*
     Schenkerian,
     so I guess this step could be skipped.
     What is your opinion about the Echo Fantasy?
     [2]https://soundcloud.com/tristan-von-neumann/sweelinck-echo-fantasi
     a-ex-a-raga-asawari
     Am 08.02.2018 um 16:31 schrieb Susan Sandman:
     > [3]https://en.m.wikipedia.org/wiki/Schenkerian_analysis
     >
     > Perhaps the theoretical approach of Schenker would be helpful to
     > communicate the similarities you are finding between the Bull
     Fantasia,
     > Raga Yaman and maybe Castello.   Schenker's system is based on the
     > dynamic pull of scale tones. While to me the particularities of
     the
     > musical elaborations unique to each composer/era/culture  is of
     more
     > interest, his approach might clarify the unity of what you are
     hearing.
     > Please consult the above link.
     > Susan
     > [4]www.ElizabethanConversation.com
     <[5]http://www.ElizabethanConversation.com>
     >
     > On Wed, Feb 7, 2018 at 7:02 PM Tristan von Neumann
     > <[6]tristanvonneum...@gmx.de <mailto:[7]tristanvonneum...@gmx.de>>
     wrote:
     >
     >      I would not dare to call you a fool if you actually took your
     time to
     >      listen :)
     >      In case of my experiments I grant you, there is room for
     doubt.
     >      But with Fantasy X and XII: Did you *really* listen?
     >      (I hope your disbelief did not impair your hearing. This
     human trait has
     >      been proven scientifically.)
     >      And if it's not connected, I would be very happy to know:
     >      how do you explain the total weirdness of especially those
     two
     >      fantasies? There is nothing remotely resembling this, and I
     have played
     >      and listened a lot. I would very much love to get other
     keyboard pieces
     >      in that style then, regardless :)
     >
     >      However (also to you, G. C.) - it is not the compatible mode,
     it is also
     >      basic motives of the Raga that can be found exactly at the
     right place,
     >      and the matching .
     >      I have yet to organize a real meeting between for example a
     singer and a
     >      keyboardist.
     >      If anything, this could be a nice intercultural exchange.
     >
     >      My old musicology professor by the way does agree with the
     finding.
     >      Though due to tempo inconsistecies (if oyu change tempo
     digitally, it
     >      sound terrible) I did not post it:
     >      If a Hindustani flute player matches Fantasy XII, it sounds
     like a
     >      Castello Sonata. I will try and prepare a mix with that, but
     I have not
     >      yet found the right music source.
     >      Anyone interested may get an mp3 in private email.
     >
     >
     >      Am 07.02.2018 um 23:32 schrieb Arto Wikla:
     >       > Well, I listened carefully all those example combinations
     of Bull's
     >       > harpsichord pieces and the suggested similiar(?) raga
     >      performances, and
     >       > sincerely I could not find much in common between them,
     just two
     >       > different sound clips connected. Tristan von Neumann is of
     course
     >      free
     >       > to name me also "fool" even after I really listened his
     medleys, but
     >       > while I definitely strongly disagree his idea... ;-)
     >       >
     >       > all the best,
     >       >
     >       > Arto
     >       >
     >       > On 07/02/18 07:53, Tristan von Neumann wrote:
     >       >>  > Those who would even want to listen are fools.
     >       >>
     >       >> Of course, those who wouldn't.
     >       >>
     >       >> Am 07.02.2018 um 06:48 schrieb Tristan von Neumann:
     >       >>> I can't believe almost no one is excited about this
     discovery.
     >       >>>
     >       >>> All those who *still* doubt me, listen to this epic Raga
     Yaman
     >       >>> accompanied by John Bull's Fantasy XII.
     >       >>> I did nothing but adjust the pitch and placement of the
     tracks.
     >       >>>
     >       >>>
     [8]https://soundcloud.com/tristan-von-neumann/fantasy-xii-raga-yaman
     >       >>>
     >       >>> Those who would even want to listen are fools.
     >       >>> Like the pope who wouldn't look through Galilei's
     telescope.
     >       >>>
     >       >>> Those who will listen will hear.
     >       >>>
     >       >>>
     >       >>>
     >       >>> To get on or off this list see list information at
     >       >>>
     [9]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
     >       >>>
     >       >>
     >       >>
     >       >
     >       >
     >       >
     >
     >

   --

References

   1. mailto:tristanvonneum...@gmx.de
   2. 
https://soundcloud.com/tristan-von-neumann/sweelinck-echo-fantasia-ex-a-raga-asawari
   3. https://en.m.wikipedia.org/wiki/Schenkerian_analysis
   4. http://www.ElizabethanConversation.com/
   5. http://www.ElizabethanConversation.com/
   6. mailto:tristanvonneum...@gmx.de
   7. mailto:tristanvonneum...@gmx.de
   8. https://soundcloud.com/tristan-von-neumann/fantasy-xii-raga-yaman
   9. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

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