Adorno's own work was influenced by Schoenberg's atonality, but in
much more than his musical compositions. In Origins of Negative
Dialetics, Susan Buck-Morss observes that:

    Schoenberg's revolution in music provided the inspiration for
Adorno's own efforts in philosophy, the model for his major work on
Husserl during the 1930s. For just as Schoenberg had overthrown
tonality, the decaying form of bourgeois music, so Adorno's Husserl
study attempted to overthrow idealism, the decaying form of bourgeois

CB: Helllloooo. Feuerbach, Marx and Engels had already done that
almost a hundred years earlier.

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