Celebrities like "Bob Dylan" and John Lennon of course may take stands like 
anyone else--although 'Bob Dylan" is an out-and-out libertarian, male 
chauvinist, and money-grubber and John Lennon was at best a very mixed bag 
personally and politically (though with the saccharine McCartney IMO a far 
better poet than Dylan, not that this matters).

How many people under the age of seventy give a damn about either of these 
ephemeral characters?  Relatively few, I imagine.  History has moved on and 
these old celebrities have even less right to command our attention than they 
did in the overrated period of allusive pop culture beginning in the mid 
Sixties.  Some people enjoy their vaudeville antics; some, no doubt, prefer 
Harry Styles.

There are probably a few still who resonate to Red Nichols and the Five Pennies.

It's all the bloody same.

Addiction to celebrity cults and personality cults is a social disease.  It 
fosters all sorts of other addictions and is essential to the depletion of 
popular agency on which late capitailism
depends for the reproduction of ideology as well as the generation of 
fictitious capital from "intellectual property."

This is not really the specific point for Marxmail, however.

The deeper issue here IMO is the role of Capital K Culture on the Left 
generally.  Briefly, i think that the Rolling Stone assertion that the virtuous 
must be always drunk on sintellectualized form of art--which means as much 
addiction to a certain version of critical thinking as well as "artists" and 
their "work"--as well as mind-altering substances--represents a longstanding 
tendency of the left that is overdue for critical revaluation.

This tendency need not be naive.  Georg Lukacs, in the Theory of the Novel made 
a sublime case for the great tradition of the European model, defending the 
likes of Balzac, as opposed to socialist realism and naturalism, as "great epic 
literature."

The question is really whether, even in its most sublime form--let alone the 
pretentious and idiotic Rolling Stone form--such a view is really necessary on 
the left.

More than ninety percent of what Europeans call classical culture is lost.  Is 
this a cause of suffering among the wretched and those threatened with 
immiseration?  Human culture is the one resource that can eventually regenerate 
no matter how we feel about it. Our age--teetering as it seems to be on the 
brink of biological extinction--faces a crisis far more serious than any ever 
seen before in human history.

How much "cultural" nostalgia and OCD fetish-fondling--especially nostalgia for 
the middle of last week and all its fetishes, which is the essential keynote of 
pop culture since the Beatles--is mandatory under the circumstances?


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