I haven't actually used RFID in an institutional setting, but did look into
it all a while back (I had the advantage that my brother worked on the
development RFID at TIRIS with Texas Instruments way back when, so I was
able to get plenty of free, no strings consulting...).

Anyway, while there are a number of issues around the actual implementation
of RFID depending on your circumstances, it's flexibility is one of the big
plusses for the system.

There is the obvious improvement in inventory control - you don't have to
pull every item of the shelf to check it. In addition, the information on
the tag can be updated as circumstances/locations change etc. And general,
once fully implemented, it tends to give very accurate inventories.

Information about the object - location, conservation issues, object history
and notes etc can be stored on the tag, which can then be directly accessed
by the staff wherever the object is. In larger locations, movement can also
be logged by having gateway readers in different locations - so, if an item
is moved from storage room to conservation lab, that is automatically
logged. Quite a lot of other things can be developed around this aspect of
RFID.

In addition, and building on this, there is it's use in displays/exhibits. A
visitor with a hand held guide can access selected information about any
object in a display as they come to it, directly from the object, as it
reads that information from the tag.

You can also get feedback on visitor habits by tracking how and what they
viewed in the museum.

Here are just a few of the things I came across then

http://www.it-director.com/business/content.php?cid=9838


http://www.cio.com/article/8820/_Putting_the_RFID_in_Art

http://newmuseums.blogspot.com/2007/03/rfid-and-museums.html


Unless you have a very large (spread out, possibly on different sites)
collection, RFID might not be the most cost effective deal if you only look
at it for collections inventory control. But if you consider it for broader
use, taking advantage of its wider potential, it might well be worth it.

Tim a




-- 
Tim Atherton
Assistant Curator
Mus?e H?ritage Museum, St. Albert
(780) 459-1594
tatherton at st-albert.net



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