HI Mark, everyone,

Jennifer, hello and thanks for the plug! Sounds like an interesting  
couple of papers too.

Mark, I'm sending along a paper I published on the topic of collecting  
and preserving new media art and creating related metadata

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I would also recommend other reports on our project website at:

http://bampfa.berkeley.edu/ciao

There is also a lovely video clip from the DOCAM summit talking about  
preserving new media art via our latest efforts:

http://www.docam.ca/en/?p=258


Richard Rinehart
---------------
Digital Media Director & Adjunct Curator
Berkeley Art Museum and Pacific Film Archive
bampfa.berkeley.edu
---------------
University of California, Berkeley
---------------
2625 Durant Ave.
Berkeley, CA, 94720-2250
ph.510.642.5240
fx.510.642.5269



On Mar 25, 2008, at 3:36 PM, j trant wrote:
> Mark,
>
> there are two papers on this subject online for the upcoming 2008
> Museums and the Web conference. See
>
>  New Media Art in Museum Collections: A Report from the DOCAM
> Cataloguing and Conservation Committees
> http://www.archimuse.com/mw2008/papers/gagnier/gagnier.html
>
> and
>
> Ethnographic Methods and New Media Preservation
> http://www.archimuse.com/mw2008/papers/adamczyk/adamczyk.html
>
> There are others from the past too -- you can search the site or the
> bibliography.
>
> you'll also want to look at the work of Richard Rinehart (Berkeley)
> and John Ippolito (Gugggenheim), and the digital preservation
> literature, where this topic has been discussed. The Registrars
> Committee of AAM has also touched on this issue in the past
> (particularly dealing with the documentation of transitory
> performances, and the question of authenticity in re-creation).
>
> Peter Samis has some great footage about site-specific works at
> SFMOMA too, that talk about the artists intent, and the process of
> team-based creation.
>
> good luck.
>
> jennifer
>
>
> At 10:10 AM -0700 3/25/08, mark schlemmer wrote:
>> Fellow Listservers,
>>
>> As part of my graduate thesis I am exploring the
>> registration of installation art, especially in
>> reference to work with new media content (video,
>> digital/computational components, etc.) My major
>> concern is how to document the artist's intent so that
>> subsequent re-installations remain true to their
>> original ideas even when certain physical and spatial
>> variables change.
>>
>> To that end, I was wondering if any of you would be
>> willing to share anecdotes about how your museum has
>> dealt with the registration of new media installation
>> art. Do you use written artist questionnaires to
>> document the artist's intent? Interviews? On-site,
>> video-taped walk-throughs? etc.
>>
>> Thanks in advance and please feel free to forward this
>> on to colleagues.
>>
>> Mark Schlemmer
>>
>> mbschlemmer at yahoo.com
>>
>> MA Candidate in Museum Professions
>> Registration and Collections Management, May 2008
>> Seton Hall University
>>
>> Organizer RC-AAM "Emerging Voices Forum" at the
>> Marketplace of Ideas, 2008 AAM Annual Meeting,
>>
>>
>>
>>
>>
>>
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>
> -- 
> __________
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> Partner & Principal Consultant                phone: +1 416 691 2516
> Archives & Museum Informatics         fax: +1 416 352 6025
> 158 Lee Ave, Toronto
> Ontario M4E 2P3 Canada                http://www.archimuse.com
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