Yes, thanks from me too.

Without films there wouldn't be posters, although one can wonder whether what 
posters
might have been made for these films.

Many years ago in London, the ICA had a screening of the Whitney brothers 
computer animation shorts
and the ICA produced a poster for the sceenings. I've held on to it ever since. 
I'd like to say there was some prescience 
about the "future" of animation about my collecting and keeping it all these 
years, but no. It's a simple black and white poster that for some reason seemed 
highly unusual at the time - as did the films themselves.

Phil


  ----- Original Message ----- 
  From: Richard Evans 
  To: [email protected] 
  Sent: Tuesday, April 14, 2009 11:08 AM
  Subject: Re: [MOPO] AW: [MOPO] Lelouch short film


  This one gratefully received too.


  Rich




  On 13 Apr 2009, at 22:04, Wolfgang Jahn wrote:


    This is great, and it reminds me of one of my favorite short films of all 
time, also French and also shows a drive through Paris at daybreak (still night 
at beginning) but it’s much slower paced and poetic in mood, and it’s also from 
1978!

    LES MAINS NEGATIVES by Nouvelle Roman-autheur and filmmaker Marguerite 
Duras .

    I checked and it’s also on youtube, sadly in 2 parts, and for an English 
translation of the voice-over click upper right on more info from the user who 
posted it, where you see the first lines already, and read along then with the 
vid. running.

    http://www.youtube.com/watch?v=HPEtD3lr6Fk
    http://www.youtube.com/watch?v=R-N_kbPTsPk

    This is a haunting poetic masterpiece in my humble opinion, the title by 
the way and some lines of the voice-over, besides being a universal ode to 
love, refer to the Magdalen Caves in the south of France, where the oldest 
known human expressions of art (maybe in Europe from what I remember having 
read about them) are to be found: 3500 + years old engravings and negative 
images of colored hands, facing the ocean from a cave.

    Now I wonder if the Lelouch film was a reaction to this, or vice versa…

    Wolfgang


    Von: MoPo List [mailto:[email protected]] Im Auftrag von P 
Molitor
    Gesendet: Montag, 13. April 2009 17:12
    An: [email protected]
    Betreff: Re: [MOPO] Lelouch short film

          This is a great film for gear heads (and must be truly seen on the 
big screen for maximum lubrication values) but there is fakery afoot.

          Lelouch finally admitted that this was actually filmed from the 
bumper of a Mercedes 6.9 (a fine machine in and of itself) and the soundtrack 
is the only thing Ferrari about it.  Nowhere in it does he come anywhere near 
to going over 100mph.  If you watch carefully keeping in mind the gear changes 
that are being made and knowing what speed a wrapped out Ferarri would be 
making those gear changes at it's clear that what's being shown has no bearing 
on what's being heard.  There's one section where he's topping out 4th gear yet 
he's in one of those tiny Parisian streets - that would put him well over 
100mph+, simply impossible to do.  Also as he's driving down the road just 
before the making the turn at the Louvre he's in high gears but passing cars 
"only" doing maybe 30mph over them - if that were truly the gear he was in 
you'd barely be able see them go by.

          Don't get me wrong, I LOVE this, watch it regularly and have even 
figured out the route using Google Earth so the next time I'm in Paris with a 
car I can follow it (at legal speeds of course).  It is truly the "magic" of 
filmmaking though.  Just hearing those Ferrari gear changes is worth the price 
of admission.

          --Peter

          --- On Sun, 4/12/09, McDaniel Kirby <[email protected]> wrote:

            From: McDaniel Kirby <[email protected]>
            Subject: [MOPO] Lelouch short film
            To: [email protected]
            Date: Sunday, April 12, 2009, 8:36 PM
            A friend sent me this.  I have never seen it before.

            Kirby



            http://www.youtube.com/watch?v=VqHrCLt3Geo



            On an
            August morning in 1978, French filmmaker Claude Lelouch
            mounted a gyro-stabilized camera to the bumper of a Ferrari
            275 GTB and had a friend, a professional Formula 1 racer,
            drive at breakneck speed through the heart of Paris early in
            the morning . The film was limited for technical reasons to
            10 minutes; the course was from Porte Dauphine , through the
            Louvre, to the Basilica of Sacre Coeur.
             
            No streets were closed, for Lelouch was unable to obtain a
            permit.
             
            The driver completed the course in about 9 minutes,
            reaching nearly 140 MPH in some stretches. The footage
            reveals him running real red lights, nearly hitting real
            pedestrians, and driving the wrong way up real one-way
            streets.

            Upon showing the film in public for the first time, Lelouch
            was arrested. He has never revealed the identity of the
            driver, and the film went underground. 
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