Dang it, Rich, now I'm depressed too!

Two year ago I lost around $10,000 on shipping and material costs I
absorbed. I considered it "advertising". I recently completed my 2008
accounting, and I lost over $30,000!

Looks like my $9 base rate will soon be going to $10, and all that will do
is lessen the loss.

I feel your pain, bro!

Bruce

On Sun, Aug 23, 2009 at 3:04 PM, Richard Halegua Comic Art <
[email protected]> wrote:

> I'll be replying to another post in this string, but Bruce is right. the
> costs of shipping have approximately doubled from A-Z
>
> cardboard is almost double what it was 2 years ago
> plastic bags are almost double
> plastic tape (the 2 inch tape) is more than double (in 2007 a 6 pack was
> $5.99 , yesterday it was $14.99)
> Avery labels are more than double
> (for those wanting the math: 2 12x14 sheets of cardbaord = 56c, labels are
> $40 per 200, 11x14 bags are $175 per 1000 shipped)
> (so 1 package has approx 94 cents in supplies alone not including tape,
> flyers. If I have to use my own box instead of a Priority box, add $1.50)
>
> and those are costs before we even ship it out
> the biggest increases are (for me) shipping East of the Mississippi. as a
> matter of fact, I need to create a new shipping schedule as it costs me way
> less to ship to California and Arizona than it does to West Virginia
> Non-US shipping went up last year and this year and and it is at least
> double what it was in 2007
>
> the bottom line? for Non-US customers, bidding has dropped precipitously
> which reduces competition!
> One new buyer in January in a "lobby card sets" auction bought 14 lbs of
> lobby cards.
> shipping to Australia was $90. the material cost $360 and many were
> bargains as always, but the buyer - who fully understood that the shipping
> costs were real - has never come back.
>
> Even worse, any package 4lbs or over going overseas must ship by Priority
> Mail, which makes it incredibly costly
> I sold a copy of the Reynold Brown book to a customer in the UK. the book
> was $40. shipping of this heavy 4lb'er ws $35
>
> shipping used to actually work in this formula: $7.00 fee to buyers
> (domestic shipping). Cost used to leave maybe $1-2 that went toward paying
> help to make packages. Now with my basic $9.00 cost, we only have a $1-2
> surplus for customers in a few western states near me in Nevada and when
> shipping to NYC for instance, we lose money (actually, any state west of
> Kansas is a loser for us)
>
> so now, the costs of the employee, tape, cardboard etc are fully borne by
> my bottom line and when you sell stuff under $5-10, it is an economic loser
> if the orders don't get above $40-50 or so
>
> I've been doing mail order business for 30+ years and honestly, the
> climbing costs are absolutely taking money out of my personal income, which
> should never be happening.
>
> but it's going to get worse! a new increase in already in the pipeline and
> to make things even worse than that, in my case, the business post office
> near the Strip (which is 1 block away) is slated to be closed in the massive
> postal closures planned to save money and now we'll have to drive 15-20
> minutes just to drop off packages and to stand in line for Non-US shipping
> there, and my advertised mailing address of the last 17 years is going to
> disappear (my POBox is at that post office)
>
> so I'll have no choice but to raise my shipping rates to "get back to even"
> and to pay for more gasoline and the 30 minutes or more for Anna to drive
> there & back.
>
> if only the Starship Enterprise had left their transporter units in my
> warehouse.....
>
> Rich
>
>
>
> At 09:07 AM 8/23/2009, Bruce Hershenson wrote:
>
> Great analysis, Evan. I completely agree that the "cost of selling" is an
> important consideration in looking at results. If you consign an item and it
> "sells" for $15, but you received 85 cents for it, then did you sell it for
> $15, or for 85 cents?
>
> One factor not mentioned to this point is the *HUGE* postal price
> increases the past few years, especially on international shipments.
>
> There are many items that auction for $2 because the shipping cost to the
> person who loves it is $20 or $30 or $40, so they can't justify bidding $3,
> even though they would gladly pay $10 for the item, but they can't because
> of the cost of shipping to them.
>
> Bruce
>
> On Sun, Aug 23, 2009 at 10:50 AM, <[email protected] > wrote:
>
> I think that if anyone had a database of posters and what they sold for
> over the last 15 years, someone could write some sort of analysis program
> that answered this question!  Ok, so that was a smart ass answer. Sorry.
>
> I use your sales results database all of the time -- it kicks ass.  And its
> very obvious that the posters that I personally have been looking at are
> down (way down).  However that doesn't really mean that:
>
>    1) all posters in a particular price range are down (it may be just low
> end crappy 1940s and 1950s posters I tend to buy)
>    2) the prices are depressed because of the economy (as there seems to be
> a huge supply of posters being auctioned every week, perhaps way more than
> the market can sustain)
>    3) the pieces which are currently down are ever coming back up (I love
> the movie "Father Goose", but I don't expect it to sell for $100 again in my
> lifetime).
>
> The problem with using anecdotal evidence is that people only point to
> specific posters which support their claim.  And, if you make a claim,
> people will point to some outlier which contridicts (the Librianna effect).
>
> The first challenge is to find a meaningful partitioning of the data which
> shows some meaningful demonstratable trend.  For example, I would believe
> the statement "Non spectacular 1950s 1-sheets for A movies with top stars
> who were in their primes in the 1940s are down 50%". I would believe the
> statement that "Ugly posters from bad movies in the 1970s are worthless and
> should be discarded".  However, I would not believe the statuement that "All
> 1970s posters are down 25%". Finding such a partition would have to be
> difficult (not to mention difficult to code).
>
> The second challenge is to find a way to analyze so little data.  If all
> posters were in the same condition, and offered regularly the analysis would
> be easy.  However, how do you compare sales of a G- poster (with free book)
> to a NM copy?  I don't believe that there is a standard formula to predict
> the sale price based on condition (although Jon Warren thought there was one
> in 1986!). Even if there was some magic formula (e.g., VG = 75% NM), I doubt
> that it works across all decades.
>
> The third challenge is to agree on some reasonable definition of 'Value' so
> that we can compare results across different venues.  Value has to be
> defined as what the seller will receive for the peice (not what the buyer
> will pay), as all of the venues charge differently for their services.  For
> example if eMovieposter sells a poster for $15 (the seller get 40% or $6)
> and if HA.com sells it for $15 (a $1 bid plus $14 BP, the seller get $0.85)
> on eBay the number is somewhere in the middle. As a result, it makes little
> sense to use data from one of these sites which is outside that sites sweet
> spot! For eMovieposter its atlesast $50, for HA its at least $75. The issue
> here is that the overhead dominates the cost of the transaction and the
> value will not be correct.
>
> Let me know what you find!
>
> Evan
>
> ----- Original Message -----
> From: "Bruce Hershenson" < [email protected]>
> To: [email protected]
> Sent: Saturday, August 22, 2009 7:44:24 AM GMT -07:00 US/Canada Mountain
> Subject: [MOPO] Are poster prices depressed?
>
>
> I was talking to one of my consignors on the phone a couple of days ago,
> and he mentioned that he thought many prices were down in recent months.
>
> Of course, much of this can be attributed to the overall economy. Clearly
> some people are short on money, and others are just being cautious with
> their money. Also eBay has made such a mess of their listings that they are
> likely bringing far fewer new collectors into the hobby than they did in
> years past.
>
> I have been buying and selling collectibles for 44 years now, and EVERY
> time overall prices have been depressed (due to external reasons, like a
> poor economy, or a massive collection coming on the market), it has proven
> to be an excellent buying opportunity.
>
> I have been looking at WHO is buying the better quality items in my
> auctions, and who are the underbidders, and it seems like a lot of the most
> savvy and longest time collectors are doing a lot of buying (or trying to do
> a lot, but are getting outbid), and that would seem to say that they agree
> with me and are trying to find bargains while prices are somewhat depressed.
>
> I also notice that the prices of much lesser items (those that auction for
> $1 to $20) are mostly extremely depressed. I attribute this to people being
> far more selective in what they buy, choosing to pass up items that are in
> lesser condition or of low desireability, even if they are dirt cheap (and
> they may be getting to spend the money they would have spent on better items
> instead).
>
> Anyway, I am betting that one more time this will prove to be a time when
> people look back and think "Why didn't I buy more when many decent items
> sold for reasonable prices".
>
> What do YOU think?
>
> Bruce Visit the MoPo Mailing List Web Site at 
> www.filmfan.com___________________________________________________________________
>  How to
> UNSUBSCRIBE from the MoPo Mailing List Send a message addressed to:
> [email protected] In the BODY of your message type: SIGNOFF
> MOPO-L The author of this message is solely responsible for its content.
>
>
> Visit the MoPo Mailing List Web Site at www.filmfan.com
> ___________________________________________________________________
> How to UNSUBSCRIBE from the MoPo Mailing List
> Send a message addressed to: [email protected]
> In the BODY of your message type: SIGNOFF MOPO-L
> The author of this message is solely responsible for its content.
>
>

         Visit the MoPo Mailing List Web Site at www.filmfan.com
   ___________________________________________________________________
              How to UNSUBSCRIBE from the MoPo Mailing List
                                    
       Send a message addressed to: [email protected]
            In the BODY of your message type: SIGNOFF MOPO-L
                                    
    The author of this message is solely responsible for its content.

Reply via email to