Exactly. That's the crucial aspect:

While some of this extensive restoration, overpainting, etc. may have been done by people who planned to keep the poster in their collection permanently and were so fond of the image that they just had to have the poster made to "look as nice as possible" for their own personal viewing pleasure, I simply don't believe that was the primary motivation for most of the work that was done, particularly in recent years -- I believe most of that work was done by people who were looking to sell the poster and felt they could get the most money for it by making it look as close to perfect as possible.

-- JR

Info Movie Poster Art Gallery wrote:
Absolutely agree. Excessive airbrushing and other techniques to make posters appear 'brand new'/near mint, to disguise serious and (much more unfortunately, as Richard gives an example of) not really serious damage at all, has always been a time-bomb in terms of the long term desirability and value of the items it's been practiced on.

It's also inevitably contributed to the environment in which these fakes could be conceived of.

Tim Maddison


On 27/9/09 03:08, "Richard Evans" <[email protected]> wrote:

    Yep, I'm not saying linen backing per se.
    Fine when necessary, though there's too much that's been unnecessary.
    Just the polishing up to the look of the brand new.
    I think people are going to start getting more enthusiastic about
    the look of good, honest age.

    On 27 Sep 2009, at 02:57, [email protected] wrote:


            I can see the demand for restoration dropping.


        GREAT TO HEAR THAT!!!!!  Been wanting this thought conveyed
        for a long time.
>>>>> However......i am not totally opposed to placing a
        poster (even inserts & half sheets) on linen or paper WITHOUT
        THE CRAZY restoration and airbrushing (which equals paint).
         leave the blemishes and tears alone....just smooth them out
        BUT KEEP THE CHARACTER!!!
Nonetheless................at the next Signature auction, most
        of the highest priced items will be linen/restored.  And
        Emovieposter often puts backed posters in one night---900+
        posters..........and they are usually the better titles.  SO.
        WHAT'S DONE IS DONE.  Many still prefer linen.
michael -----Original Message-----
         From: Richard Evans <[email protected]>
         To: [email protected]
         Sent: Sat, Sep 26, 2009 9:47 pm
         Subject: Re: [MOPO] Profiles in History...question
I can see the demand for restoration dropping.
        (The more cosmetic work anyway.)
And the demand for authentication growing. Someone will need to provide it, and I don't think anyone's
        cornered the market in this yet.
On 27 Sep 2009, at 00:19, Dario Casadei wrote:

            *We don't remove anything except old backings! Ones I
            owned a Dracula's Daughter WC done this way, I sold it
            after a month, couldn't stand looking at it.
End of the day each restoration studio implements their
            owJust the tarting up to brand new.techniques and this is
            by no means a peak at Diane. We all do what we feel is right.
Best,
             dario.
*
             JOHN REID Vintage Movie Memorabilia wrote:



                /When working with window cards, we remove the back
                layer card stock, this way the poster can be cleaned,
                washed and deacidified
                /
Hi Diane Surely removing the "back layer card stock" is
                tantamount to changing the entire character and
                authenticity of a window card. A window card is
                *supposed* to be on thick card stock. Thats the way it
                is. It doesnt seem right to me to be removing a layer
                of the poster. Perhaps you could elaborate on the
                process you use.
Regards John Sign up for my regular newsletter on movie memorabilia:
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                    ----- Original Message -----
*From:* Diane Jeffrey
                    <mailto:[email protected]>
*To:* [email protected] *Sent:* Sunday, September 27, 2009 8:15 AM *Subject:* [MOPO] Profiles in History...question Sue

When working with window cards, we remove the back
                    layer card stock, this way the poster can be
                    cleaned, washed and deacidified, which also
                    results in removing any creasing/folds.  We back
                    it then with a layer of acid free masa paper, same
                    stuff used in linenbacking.  A lot of window cards
                    have been trimmed at the top, this then allows us
                    to add the missing paper, making it to size.  Card
                    stock is then adhered to the masa, repairs are
                    made, touched up, etc.

If you look at my first post about the Dracula, I
                    mentioned the fact that there was a layer of
                    something on the back.  To me, it looked like the
                    poster had been backed to card stock, cardboard or
                    "something" and when it was pulled off, a layer
                    remained, giving it a "fuzzy" (term I used on
                    NSGE) feel. So we removed what we could on that,
                    washed and linenbacked it.

So to answer your question, you are absolutely
                    right, it is possible, and just might be what
                    happened with the Dracula poster.

Diane

                    Studio C

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