"Antique Toadshow!" LOL!!

Sorry, Zeev, I happen to agree with you, but that has to be one of the funniest 
typos I've read in a long time. If it IS a typo...

Still laughing....

Dave
  ----- Original Message ----- 
  From: Zeev Drach 
  To: [email protected] 
  Sent: Friday, January 07, 2011 9:55 AM
  Subject: Re: [MOPO] Wild One R60 40x60 - Anyone ever see one?


  Bruce, I think you're criticizing Antique Toadshow for being too generous 
with their estimates(for which I have no comment, since I don't follow it), but 
in this case you also equate your 5 40x60's to the recently surfaced Wild One, 
and I think there is absolutely no comparison.  The Wild One is a sensation 
because it is a completely different design, which (almost) no one knew 
existed! 

   

  Zeev

   

   

   

  From: MoPo List [mailto:[email protected]] On Behalf Of Bruce 
Hershenson
  Sent: Friday, January 07, 2011 8:19 AM
  To: [email protected]
  Subject: Re: [MOPO] Wild One R60 40x60 - Anyone ever see one?

   

  I bet if I took this lot of 5 Forty by Sixties to Antiques Roadshow they 
might be appraised for $15,000 to $20,000

  
http://auctions.emovieposter.com/Bidding.taf?_function=detail&Auction_uid1=2056910

  On Wed, Jan 5, 2011 at 2:03 PM, Richard Halegua Comic Art 
<[email protected]> wrote:

  Brando's paper almost always sucks until you get to some of his sh*tty movies 
which seem to have better paper (but who cares for those titles)

  among the worst poster designs ever are the posters for the Men

  to the stars mentioned.. Most people today would rather have a Jessica Alba 
poster than Clark Gable




  At 11:58 AM 1/5/2011, Zeev Drach wrote:



  Dave,
   
  You are so right about the "softness" of most of Brando's paper, sadly 
however, this is true for most of the big names of the 40's and 50's.  Who the 
heck collects Gregory Peck as an actor(as opposed to a couple of titles in 
which he's in) these day?  Or Spencer Tracy, or Anthony Quinn, Paul Newman, 
Kirk Douglas, or even Clark Gable?  And the list goes on and on.  They're all 
giants, we'd all agree, but the number collectors who care about them is 
dwindling fast.
  Marlon Brando, I think, could've been(and one day might still be) an 
exception, because he was an icon while still alive.  The added problem with 
Brando paper, and now I'm getting back to the original topic,  is that the 
design of the posters, even and especially for his key titles, is so poor and 
uninspiring.  You can go over them one by one, Streetcar Named Desire, The Wild 
One, On the Waterfront, and others, and you won't find even ONE(!) decent 
design.
   
  Sorry for going on like this, but that's obviously a touchy subject with me.. 
 ;-)
   
  Zeev
   
   
  From: MoPo List [ mailto:[email protected]] On Behalf Of Dave Rosen
  Sent: Wednesday, January 05, 2011 1:15 PM
  To: [email protected]
  Subject: Re: [MOPO] Wild One R60 40x60 - Anyone ever see one?
   
  I agree. Rarity aside, it's all about taste, personal interest and, 
ultimately, how many collectors want it and how far they are willing to go to 
get it.
   
  Yes, this poster is goofy-looking. Yes, the market for Brando material 
outside of Waterfront and Streetcar is a little soft. However, that aside, I 
have a number of motorcycle enthusiasts among my clients, as I'm sure do many 
other dealers. They like their bikes and they like anything to do with bikes, 
including anything to do with biker movies. This was the first biker movie but 
it was released with very little paper that actually shows motorcycles! That 
reason alone would probably be enough to drive a number of collectors to want 
this poster...badly. They don't have to be fans of Brando or even good poster 
art.
   
  As to whether it would reach the appraisal estimate, only an auction could 
determine that.
   
  Dave
   
   
  ----- Original Message ----- 

  From: Richard Evans 

  To: [email protected] 

  Sent: Wednesday, January 05, 2011 12:58 PM

  Subject: Re: [MOPO] Wild One R60 40x60 - Anyone ever see one?

   

  Think that goofiness will be a plus for some, got a lot of kitsch appeal.

  Though the irony may wear thin.

   

  On 5 Jan 2011, at 17:40, Kirby McDaniel wrote:



  Hi, Zeev et al 

   

  I'm not a collector at all; I'm a seller.  I collect other things like 
recordings and cookbooks.

  Who knew?

   

  The recovery of any unknown poster is interesting, particularly for a title 
like THE WILD ONE.

  Your DRAGSTRIP RIOT comment is very perceptive -- obviously this poster was 
copied from that

  very wonderful image.  In RIOT, however, the overall design of the poster, 
its context and and the kinetics of the moment depicted make the 
wrench-brandishing exciting and menacing, whereas in the

  Brando poster it's merely goofy.

   

  Please know that I'm not disparaging Rudy's evaluation of the poster.  He 
could be quite correct.

  With something that has not been seen, especially for an iconic figure like 
Brando, one could

  expect some kind of brisk performance at auction.

   

  One might sell for $3500.

   

  But how would five or six sell?

   

  Would the price hold up as has been demonstrable for, say, DRAGSTRIP RIOT?  

   

  Kirby

   

  Kirby McDaniel

  MovieArt Original Film Posters

  P.O. Box 4419

  Austin TX 78765-4419

  512 479 6680  www.movieart.net

  mobile 512 589 5112

   

  On Jan 5, 2011, at 10:23 AM, Zeev Drach wrote:



  Kirby, I'm guessing you're not a Brando collector, otherwise I can't see how 
you could dismiss this find so easily.

  You are right, the realistic accuracy of the design would not matter to 
Brando fans and collectors (and I am one of them) in this case. I mean, the 
discovery of a Brando poster, for one of his key roles, that features art that 
(almost?) no one has ever seen before is a major find, in my opinion.  I think 
all collectors with even a passing interest in Brando would be floored by this 
poster.

  As to the question "who rides a motorcycle like that?" I refer you to 
Dragstrip Riot(1958) 
http://www.moviegoods.com/movie_poster/dragstrip_riot_1958.htm

  from where the image was most certainly lifted.

  I'm not familiar with the design of the Hot Blood insert.  Is it different 
from the standard Wild One insert?

  Zeev

  From: MoPo List [ mailto:[email protected]] On Behalf Of Kirby 
McDaniel

  Sent: Tuesday, January 04, 2011 11:44 PM

  To: [email protected]

  Subject: Re: [MOPO] Wild One R60 40x60 - Anyone ever see one?

  Thanks for posting this.  I did not see my esteemed colleague Mr. Franchi on 
ANTIQUES ROADSHOW with this undeniably rare reissue 40x60, so I am interested 
to read this post.

  Rare it may be, and perhaps some Brando completist would pay the estimate, 
but if the design of this poster were to count at all, the film would be 
entitled THE WEIRD ONE.

  Who rides a motorcycle like that?  Waving a wrench about!  Ludicrous!  And 
where is the locale?  Is this in the film?  They look like they're riding thru 
the set of CHEAPER BY THE DOZEN.

  Ugly!  Give me one of the nice lobbies and I'll call that the prettiest 
poster on the film.  Or the HOT BLOOD insert.

  My two centavos.

  Kirby McDaniel

  www.movieart.net

  On Jan 4, 2011, at 9:15 PM, Dave Rosen wrote:




  Just watched this online. It's Rudy's appraisal of a Wild One 40x60 from last 
night's Antiques Roadshow. Never saw one of these before. Might be the best US 
paper for the movie.

  http://www.pbs.org/wgbh/roadshow/archive/201003A12.html

  Dave

  Posteropolis Vintage Movie Posters

  http://www.posteropolis.com/

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