i agree with Zeev and it's interesting that Brando, Clift and Dean were each 
served by terrible US campaigns for all their major films:
A Place In The Sun, From Here To Eternity, Suddenly Last Summer, On The 
Waterfront, Streetcar Named Desire, The Wild One, I Confess,  Rebel, Giant, 
East Of Eden....
all pretty awful campaigns and so none of these actors has a single US poster 
that truly shows them at their peak.   clift looks only so-so on the 
uninspired A Place In The Sun 1sh.  a better image is The Heiress 3sh (on the 
1sh he's largely hidden as per I Confess and much of his other paper).  
was clift too pretty for public consumption?  the best clift portrait must 
actually be the one on his section of The Young Lions 1sh (although ruining 
things on this poster is brando who looks more like derren nesbitt).  james 
dean posters, including rebel, I find very meh.  who designed the East Of Eden 
campaign?  a monkey who's acquired production stills, scissors, cataracts and a 
vendetta by the looks of things.
it's a wonder these guys became icons at all.  this wouldn't have been allowed 
to happen in the 1930/40s....n

--- On Wed, 5/1/11, Zeev Drach <[email protected]> wrote:

From: Zeev Drach <[email protected]>
Subject: Re: [MOPO] Wild One R60 40x60 - Anyone ever see one?
To: [email protected]
Date: Wednesday, 5 January, 2011, 19:58

Dave,  You are so right about the “softness” of most of Brando’s paper, sadly 
however, this is true for most of the big names of the 40’s and 50’s.  Who the 
heck collects Gregory Peck as an actor(as opposed to a couple of titles in 
which he’s in) these day?  Or Spencer Tracy, or Anthony Quinn, Paul Newman, 
Kirk Douglas, or even Clark Gable?  And the list goes on and on.  They’re all 
giants, we’d all agree, but the number collectors who care about them is 
dwindling fast.Marlon Brando, I think, could’ve been(and one day might still 
be) an exception, because he was an icon while still alive.  The added problem 
with Brando paper, and now I’m getting back to the original topic,  is that the 
design of the posters, even and especially for his key titles, is so poor and 
uninspiring.  You can go over them one by one, Streetcar Named Desire, The Wild 
One, On the Waterfront, and others, and you won’t find even ONE(!) decent 
design.
  Sorry for going on like this, but that’s obviously a touchy subject with me.. 
 ;-)  Zeev     From: MoPo List [mailto:[email protected]] On Behalf 
Of Dave Rosen
Sent: Wednesday, January 05, 2011 1:15 PM
To: [email protected]
Subject: Re: [MOPO] Wild One R60 40x60 - Anyone ever see one?  I agree. Rarity 
aside, it's all about taste, personal interest and, ultimately, how many 
collectors want it and how far they are willing to go to get it. Yes, this 
poster is goofy-looking. Yes, the market for Brando material outside of 
Waterfront and Streetcar is a little soft. However, that aside, I have a number 
of motorcycle enthusiasts among my clients, as I'm sure do many other dealers. 
They like their bikes and they like anything to do with bikes, including 
anything to do with biker movies. This was the first biker movie but it was 
released with very little paper that actually shows motorcycles! That reason 
alone would probably be enough to drive a number of collectors to want this 
poster...badly. They don't have to be fans of Brando or even good poster 
art. As to whether it would reach the appraisal estimate, only an auction could 
determine that. Dave  ----- Original Message
 ----- From: Richard Evans To: [email protected] Sent: Wednesday, 
January 05, 2011 12:58 PMSubject: Re: [MOPO] Wild One R60 40x60 - Anyone ever 
see one?  Think that goofiness will be a plus for some, got a lot of kitsch 
appeal.Though the irony may wear thin.  On 5 Jan 2011, at 17:40, Kirby McDaniel 
wrote:

Hi, Zeev et al   I'm not a collector at all; I'm a seller.  I collect other 
things like recordings and cookbooks.Who knew?  The recovery of any unknown 
poster is interesting, particularly for a title like THE WILD ONE.Your 
DRAGSTRIP RIOT comment is very perceptive -- obviously this poster was copied 
from thatvery wonderful image.  In RIOT, however, the overall design of the 
poster, its context and and the kinetics of the moment depicted make the 
wrench-brandishing exciting and menacing, whereas in theBrando poster it's 
merely goofy.  Please know that I'm not disparaging Rudy's evaluation of the 
poster.  He could be quite correct.With something that has not been seen, 
especially for an iconic figure like Brando, one couldexpect some kind of brisk 
performance at auction.  One might sell for $3500.  But how would five or six 
sell?  Would the price hold up as has been demonstrable for, say, DRAGSTRIP 
RIOT?    Kirby  Kirby McDanielMovieArt
 Original Film PostersP.O. Box 4419Austin TX 78765-4419512 479 6680  
www.movieart.netmobile 512 589 5112  On Jan 5, 2011, at 10:23 AM, Zeev Drach 
wrote:

Kirby, I’m guessing you’re not a Brando collector, otherwise I can’t see how 
you could dismiss this find so easily.You are right, the realistic accuracy of 
the design would not matter to Brando fans and collectors (and I am one of 
them) in this case. I mean, the discovery of a Brando poster, for one of his 
key roles, that features art that (almost?) no one has ever seen before is a 
major find, in my opinion.  I think all collectors with even a passing interest 
in Brando would be floored by this poster.As to the question “who rides a 
motorcycle like that?” I refer you to Dragstrip 
Riot(1958) http://www.moviegoods.com/movie_poster/dragstrip_riot_1958.htmfrom 
where the image was most certainly lifted.I’m not familiar with the design of 
the Hot Blood insert.  Is it different from the standard Wild One 
insert?ZeevFrom: MoPo List [mailto:[email protected]] on Behalf 
Of Kirby McDaniel
Sent: Tuesday, January 04, 2011 11:44 PM
To: [email protected]
Subject: Re: [MOPO] Wild One R60 40x60 - Anyone ever see one?Thanks for posting 
this.  I did not see my esteemed colleague Mr. Franchi on ANTIQUES ROADSHOW 
with this undeniably rare reissue 40x60, so I am interested to read this 
post.Rare it may be, and perhaps some Brando completist would pay the estimate, 
but if the design of this poster were to count at all, the film would be 
entitled THE WEIRD ONE.Who rides a motorcycle like that?  Waving a wrench 
about!  Ludicrous!  And where is the locale?  Is this in the film?  They look 
like they're riding thru the set of CHEAPER BY THE DOZEN.Ugly!  Give me one of 
the nice lobbies and I'll call that the prettiest poster on the film.  Or the 
HOT BLOOD insert.My two centavos.Kirby McDanielwww.movieart.netOn Jan 4, 2011, 
at 9:15 PM, Dave Rosen wrote:


Just watched this online. It's Rudy's appraisal of a Wild One 40x60 from last 
night's Antiques Roadshow. Never saw one of these before. Might be the best US 
paper for the 
movie.http://www.pbs.org/wgbh/roadshow/archive/201003A12.htmlDavePosteropolis 
Vintage Movie Postershttp://www.posteropolis.com/Visit the MoPo Mailing List 
Web Site 
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