His music took my breath away!

Toochis

Sent from my iPhone

> On Feb 22, 2014, at 1:07 AM, David Kusumoto <[email protected]> 
> wrote:
> 
> Rosza was great even with his "later" scores.  I'm thinking of his work in 
> the 1979 low-budget Nicholas Meyer cult sci-fi pic, "Time After Time," with 
> Malcolm McDowell, Mary Steenburgen and David Warner, which had H.G. Wells in 
> Victorian garb chasing Jack the Ripper in modern-day San Francisco.  
> 
> What gave me chills - and I can't find it anywhere online - was the music 
> that accompanied the opening credits - which Rosza decided to begin with the 
> Warner Brothers' classic-sounding "fanfare" - before segueing into a lush and 
> ominous sounding score that made this low-cost pic feel like it had been 
> budgeted for mega-millions.
> 
> I found an extract on You Tube at the link below - and while it does NOT 
> include the WB "fanfare" and opening credits - it does have a 4-minute sample 
> of how much more fun the pic was with Rosza's score:
>  
> http://www.youtube.com/watch?v=4OOKd03Fvvs
> 
> 
> Date: Fri, 21 Feb 2014 21:16:34 -0600
> From: [email protected]
> Subject: Re: FROM SCREEN ARCHIVES ENTERTAINMENT VIDEO OF ROZSA'S MAIN TITLE 
> TO QUO VADIS
> To: [email protected]
> 
> I loved Rosza, so when we did a film music “spectacular” at the public radio 
> station I worked at in the mid-seventies, I did an
> interview with him, arranged by a friend Tom DeMary.  Somehow Criterion found 
> out about this, and used part of the interview, which Tom fortunately had a 
> copy of, in their release of THE THIEF OF BAGHDAD.  But only a small part of 
> it.  I have the whole thing and I should present it somehow. In the 
> Criterion, you don’t hear much of me.  They (mercifully!) edited me out 
> largely.
> 
> Ha!
> 
> 
> Kirby
> 
> On Feb 21, 2014, at 9:07 PM, Phillip Ayling <[email protected]> wrote:
> 
> Kirby,
>  
> I share your love for Rozsa’s music. The re-recordings are great, both in 
> quality and the fact that the music can find itself independent of the 
> demands of synchronization. Often times composers would compose something 
> only to find when they arrived on the scoring stage that a re-edit was done 
> and the music had to be re-synched or recomposed right on the spot because of 
> a last minute picture edit.
>  
> I also enjoy hearing those recordings (even if sonically primitive by current 
> standards) which were conducted by Rozsa himself. A trove of great music for 
> his films can be found here.
>  
> http://www.miklosrozsa.org/
>  
> Best Regards
> From: MoPo List [mailto:[email protected]] On Behalf Of Kirby 
> McDaniel
> Sent: Friday, February 21, 2014 6:56 PM
> To: [email protected]
> Subject: [MOPO] FROM SCREEN ARCHIVES ENTERTAINMENT VIDEO OF ROZSA'S MAIN 
> TITLE TO QUO VADIS
>  
> In 1959, when I saw BEN-HUR in Camera 65 for the first time, I was not only 
> in awe of the great spectacle married to
> great direction, but I was also swept up in love for the great music by 
> Miklos Rozsa.  So as soon as I could get the coin together, I went to the 
> record store and bought the soundtrack in the big MGM box.  That led to 
> curiosity about the other Rozsa scores, and that led to exposure to the Great 
> Father to the score of BEN-HUR, QUO VADIS.    I soon discovered I loved it as 
> well.
>  
> I was delighted to see this video on the website of Screen Archives 
> Entertainment of the City of Prague Philharmonic Orchestra playing the main 
> title.  They have just released a two-CD set of the score.
>  
>  
> http://www.screenarchives.com/title_detail.cfm/ID/22193/QUO-VADIS-2CD/
>  
>  
>  
> Kirby McDaniel
> MovieArt Original Film Posters
> P.O. Box 4419
> Austin TX 78765-4419
> 512 479 6680  www.movieart.com
> https://www.facebook.com/movieart.austin.texas
> mobile 512 589 5112
>  
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