> Platt commented August 30th:
> 
> What Ant tends to ignore in all his quotes from Pirsig and other sources
> about the concept of the "individual" as a "convenient fiction" is Pirsig's
> own use of the term repeatedly in Lila and other writings as if the concept
> was indeed "real," i.e. a high quality value pattern.
> 
> Ant McWatt replies:
> 
> Platt,
> 
> I am well aware of all these examples of the “individual” you refer to in
> LILA and SODV.  However, these are all from the world of everyday affairs
> (or static) viewpoint of the MOQ (which is the realm SOM is usually limited
> to).
> 
> My primary point about the “individual” (confirmed by Rahula, Cooper, Scott
> Peck and Hagen) is that if you want to move on from SOM (and improve the
> quality of your life by avoiding dukkha), you have to also recognise the
> world of the Buddhas (or Dynamic) viewpoint of the MOQ that states that the
> idea of a static, independent self is essentially illusory.  Furthermore,
> without this Dynamic viewpoint, you start entering a metaphysical mess
> (a.k.a. SOM Fairyland) as illustrated in the quote from LILA that Arlo
> recently referred to:

To the best of my recollection this is the first time anyone has mentioned
that the MOQ has two viewpoints, one static and other Dynamic. If that
is so, where in Lila and elsewhere in Pirsig's writings can we pinpoint 
the  difference between the world of "everyday affairs" (the realm of SOM) 
and the realm of the Dynamic? I always thought the description of leaping 
off a hot stove was from the world of everyday affairs, as was the story 
of the brujo and the quotation form Humphrey, "I"ve seen enough of the 
this."  That's why to me the MOQ "viewpoint" took our everyday experience 
of everyday events and provided a new interpretation whereby instead of  
experiencing subjects and objects we experience patterns of value and a 
creative force called Dynamic Quality, and where an "individual," like 
every other subject or object, really consists of value patterns. To me
the breakthrough concept, explicated logically by Pirsig in Lila, is that 
reality is an evolutionary moral order.

So I ask in all sincerity, what am I missing? Is the MOQ based on some
experience other than experience of everyday affairs? If so, how come
ZMM and Lila are grounded in everyday affairs? 

Thanks, Ant,  for any answer your care to provide 

Platt
 
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