[Michael]
you have no place to judge whether or not I can or cannot proclaim something
about a God you can't manage to distinguish from a leprechaun. 

[Arlo]
See, that's just it. Your "God" has no more, and no less, reality than a
leprechaun. Certainly the collective stories are larger, as a novel contains
more than an essay or comic strip. This is like saying "you can't distinguish
between Batman and Superman". Sure, one wears a blue suit and the other drives
a black car. 

My point is that BOTH are mythological traditions evolved over time from
humankind's experience in the world, and BOTH are clothed in the local
costumes, habits, expressions of the people who's narration provides the
cross-generational latching of these stories. In this sense, both are
"dialogic", they do not exist in isolation but are part of a cultural dialogue,
like a voice in a play, that is in response to, and anticipation of, the lines
surrounding it.

[Michael]
that nothing quality can come from religion, let alone theism. 

[Arlo]
I have never said this. In fact I said the opposite. As I said, Leprechaunism
may induce someone to assist old ladies to cross busy streets (a good thing),
but this does not mean that everything about Leprechaunism should be
unquestioningly accepted. Nor does it mean that we need Leprechaunism or else
old ladies would be smooshed by traffic. It means that we can, from a higher
vantage, ask what it is about Leprechaunism and other mythologies that seems to
call for assistive behavior towards one's fellow human-beings.

[Michael]
My point is that the only way humanity can ever move past religion, and theism
for that matter is through Dynamic quality within religion, within that
cultural context. 

[Arlo]
I disagree. I think the only way humanity will move past religion is by
stepping back (as I've been suggesting) and consider the Myths of Mankind from
an bird's eye view, to learn to see them all as paintings pointing towards the
Void, and not be so concerned with the "reality" of any one. In this same way,
the Mythos is not only theism but also the myriad of stories, heroes, legends,
deeds and trials that fill our libraries and our languages. 

It is like asking "what is love?", and expecting a total answer in one book. We
see glimpses of love in the smallest child's fairy tale and the lengthiest
Dostoevsky novel, in the oral stories of the Lakota to the modern cyberpunk
internet novellas. Rather than saying, "in which book is the real love
described", we say "if you want to know what love is, read and experience as
many of these as you can and you will start to see the direction of your gaze
moving around the same unseeable vortex." 

And there are dangers to exclusiveness. Certainly "love" is a strong theme in
Anne Rice's Vampire Lestat, but if that was your ONLY descriptor of love, think
how much you'd miss? In the same way, think about how much you'd miss if that
wasn't part of your experience?

[Michael]
And by not understanding that context to the degree you, or dmb seem to do, how
will you ever recognize quality within its ranks?

[Arlo]
I recognize Quality by the deeds of others. But I do not make the mistake of
thinking of that those deeds would only exist but for theism. Just as I can
recognize the goodness of helping old ladies across busy streets, I see the
promise of a pot o' gold to be low quality. 

[Arlo previously]
Does "man" continue to need a "God" to control him or give his life meaning? 

[Michael]
I believe this is the case, rather emphatically, actually. I believe I have
been rummaging in this can (arriving at this conclusion) from the outset and it
is what is guiding my reaction to the attacks on theism.

[Arlo]
Well, you may be right. I say this because the cynic in me sees that the larger
metaphoric, esoteric, analogous perspective seems to be losing ground to the
many literal, nationalistic and exclusive traditions. To use the old metaphor,
the Age of Pisces is not over, we are still perhaps several generations away
from the Age of Aquarius. (Sidenote, the dawn of Christianity (the Piscean
fish) can be seen in contrast to the Age of Taurus which it followed, the story
of Moses demolishing the bull may be part of a historical mythological
tradition describing the changing world ages)

[Michael]
I acknowledge that theism (as a term used per its 'official' definition as I
insist) is in fact culturally based. But as such IMO it still remains a
culturally relevant understanding of Pirsig's Quality from a lower Pirsigian
evolutionary level.

[Arlo]
I don't think anyone here denies the importance of the Mythos.

[Michael]
However, having made this recognition, (theism being culturally based) it must
be acknowledged that as such it is thus also shown to be something one cannot
extract, remove, abolish or eliminate from culture without doing the same (or
something else) to the culture which generates it as a concept in the first
place. 

[Arlo]
Again, I am not talking about eliminating the specific theistic intepretations,
I am talking about elevating one's vision to see them as metaphors in the human
museum. I think its a trap of SOM to say "this story is right, and this story
is wrong". The MOQ would say, "this story is better", and moreso it allows us
to ask "better how?" and "worse how?", to unconcern ourselves with names and
labels and such and see which stories work in what ways (and which fail in what
ways).

[Michael]
So... you can't get rid of theism while culture hasn't moved to the point where
it sheds it of its own accord.

[Arlo]
No, of course not. But as Platt is fond of saying, a culture changes one person
at a time. A few hundred years back, the freedoms secular humanism has brought
us were unimaginable. But the seeds of that change were there, and grew over
time and spread throughout the collective consciousness and bore fruit.
Pirsig's ZMM rode a cultural wave of change, and I have no doubt there will be
others.




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