David H said to Dan:
Doing something in this case, does translate into knowing how it occurs.  That 
is the only answer you can give.  The only way to know what Dynamic Quality is, 
is to experience it for yourself.   So how does someone experience Dynamic 
Quality? This is what I am getting at.  The MOQ says that you can experience 
Dynamic Quality by getting static quality perfect.

dmb says:
Right, I think we can take this idea of perfecting static patterns and put it 
right next to the notion of killing static patterns. Neither term should be 
taken too literally so that they're really just two ways of saying the same 
thing. Elsewhere, there is also the idea of putting static patterns to sleep. 
In each case, I think, these are ways of talking about what we all already know 
from experience. When is the last time you had to stop and deliberately think 
about how to tie your shoe, walk across a room, drive your car to work or how 
to read a sentence? These are ordinary examples of static patterns you've 
mastered, perfected, put to sleep or killed. You don't have to think about them 
because they work. You just act without having to reflect on the how or the 
why. Those patterns have, in effect, become invisible. I think this basic idea 
can also be applied to motorcycle repair, the art of rhetoric, archery or any 
skilled activity. When you've got it down, so speak, that's
  when real creativity and real artfulness can come in the picture. I mean, 
you're not going to be a expert driver or a world class chef just by following 
DQ. You always have to begin by learning how to make the car stop and go, how 
to sear, fry, saute and butter your noodles. In both cases, it's going to take 
a lot of experience before you can just use those patterns effortlessly, 
without having to deliberate, reflect, adjust and all the other clumsiness that 
comes with learning something new. But when you've got it all down pat, not 
literally perfect but let's say fully integrated into your skill set, then you 
can be artful and creative. It's like genius, only it's earned rather than 
given. Or, you could say freedom takes a lot of discipline. There is a tension 
in this that might seem a bit paradoxical when taken in the abstract but we're 
really just talking about what happens when we learn how to operate shoe laces. 
Static patterns of quality are habits that work so well t
 hat we don't have to think about them anymore.  

David H said:
There is some thing which links these two things together. Every thing is 
static quality. If I look around and all I see is things, then how do I 
experience Dynamic Quality? What is Dynamic Quality? These to me, are genuine 
questions and have a very powerful Metaphysical answer to them. You can 
experience Dynamic Quality by getting things perfect.

dmb says:
Think of any skilled activity. Did you see that recent article on "flow" 
experience or "peak" experience in the Huffington Post? It opened with a skier 
sliding down an expert slope in Aspen. In this example the skier was 
experienced and had even been down that particular mountain before but this 
time it was different. Maybe the fine weather helped and I imagine it wouldn't 
hurt to also have a good night's sleep, a decent breakfast, warm clothes and 
boots that fit. The article describes the skier finding his groove, hitting his 
stride, getting in the zone or whatever. The difference this time was that 
everything seemed to be working perfectly, effortlessly. Tap, tap, tap, over 
the top of each mogul and the whole experience just "flowed". He was so lost in 
the moment that he forgot himself, he was absorbed in the activity. It probably 
looked like a beautiful run to the other skiers and he probably left tracks in 
the snow that somehow look right. Afterward he might be likely to 
 talk about that run in terms of being one with the mountain. This, I think, is 
the kind of ordinary, non-supernatural mysticism that we find in Zen. Flying 
effortlessly down a double black diamond slope is just like magic but you gotta 
earn it. You have to ski a few times before you can even begin to have a sense 
of what that's like. DQ and sq are always working together. You can't have just 
one or the other. Not if excellence is the goal.

Dan said:
... Dynamic Quality is always right here! Right in front of us! We tend to 
cover it up with intellectualizations and mindless chatter that we have going 
on inside our heads, constantly telling us all about the world we're 
experiencing. Monkeys chasing monkeys.

dmb says:
Right, the past is only in our memories and the future is only in our plans, 
Pirsig says. As James puts it, we understand backward and we plan forward. But 
the immediate present, the now, is not static. I like to think of the Dynamic 
present as the ever-moving crest of a wave while the static patterns of our 
past experiences and the static patterns of our future plans are the troughs on 
either side of that wave. I like the analogy (from James) because you just 
can't have one without the other. And you can see how the one is constantly 
being converted into the other in a continuous process.
I think a big part of what Pirsig is up to is helping us to get a sniff of 
what's always already right under your nose. Or we might say he's trying to get 
us to notice, to use, and to develop a sense of quality, if not a sense of 
Dynamic Quality. It's not just something you're born with, he says, although 
you ARE born with it. It can be cultivated, sharpened. You can earn it. And 
when you do that, maybe you can stop painting by the numbers. That's what the 
talk about caring about the work, having a feel for the work, is all about. 
Instead of obediently following the rules and principles like some child, 
slave, soldier or factory worker there is an unwritten dharma that guides so 
that the rules and principles are your subservient tools, not your master. A 
feel for the work. You gotta care, he says. Elsewhere, his hipper friends say 
to him, "man, will you please quit with all your five dollar questions and 
kindly just dig it"? Reminds me of the hippie girl who said to me, after
  she stopped laughing at me, "You're not supposed to understand the Grateful 
Dead. You're supposed to dance to it." They were both saying that thinking was 
not the way to know the thing. It's not just about feeling groovy, but this 
soulful sensitivity is exactly what's missing from most rationalistic 
philosophies and scientific thought. (I mean "soul" in the musical, artful 
sense, not the theological sense.) That's what makes our world so damn ugly. 
You know, because that view says truth and beauty are two different things and 
that latter is just a frill, a meaningless nicety. So I think this is where 
Pirsig wants to expand rationality by getting us to take grooviness seriously. 
The "reintegration of the affective domain of man's consciousness" is another 
way of saying that this caring and feeling and this sensitivity to excellence 
really does matter. And it ain't no frill. It's the whole thing.

Dan:

... And no matter how I try, I can never seem to get even one single story 
perfect. Not one. Hell, I can't even put one perfect paragraph together. Yet, 
when I am writing, and I mean really writing, "I" disappear. Hours pass by like 
they're nothing. I've come to accept that my writings will never be perfect. 
But I do experience what may be called Dynamic Quality while I am writing. Of 
that, I am certain.

dmb says:
Yep, that's what I hear writers say all the time. It's not very different from 
the skier or the artful mechanic. Based on you description, I'd call it a flow 
experience. And that fact that you'd even think about shooting for perfect or 
holding perfection up as the ideal to meet only shows you that care about the 
quality. On some level, at least, I'd bet you'd agree with me that perfection 
is a fairly ridiculous goal, probably invented by some insane, self-loathing 
overachiever. To the extent that people have beat themselves up for being less 
than "perfect", it's a perfectly evil idea. Just trying not to suck is enough 
pressure for me.





                                          
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