Hello Fritz,
Thanks for your quick and useful answer. Those iOS applications seem
very interesting, the only (big) problem for me is that unfortunately
I don't own or have access to iOS to try it (only Linux and Windows).
Nevertheless, many thanks! I'll never know when I can use it.
Best regards,
João Fernandes
Quoting Fritz Menzer <men...@dlab.ch>:
Hi João,
just for your information: I'm in the process of creating an FMOD
DSP effect for my BR2 binaural rendering algorithm, which probably
does what you are looking for. Its advantage over other binaural
renderers is that it realistically models an acoustical environment.
For an idea of how it sounds, you can have a look at this iOS app:
https://itunes.apple.com/app/virtualroom/id512896634. For more
information, please check also my website http://mnsp.ch.
Best regards,
Fritz
On 12.10.2012 13:35, joaoandrefe...@sapo.pt wrote:
Hello, Iain,
I've already installed FMOD Studio and I'll see what I can make with it.
Thank you very much for your suggestion!
Regards,
João Fernandes
Quoting Iain <i...@idcl.co.uk>:
I'm probably being naïve here, but I've recently used FMOD which is
designed
for games sound and claims all sorts of things for moving sounds and
stuff.
I didn't use this aspect of it, so can't comment directly. However, I
can
say it is easy to use, free and fairly well supported. Might be worth a
quick look.
Iain
-----Original Message-----
From: music-dsp-boun...@music.columbia.edu
[mailto:music-dsp-boun...@music.columbia.edu] On Behalf Of Theo Verelst
Sent: 10 October 2012 20:02
To: music-dsp@music.columbia.edu
Subject: Re: [music-dsp] Software to make a binaural simulation of the
movement of a sound source
I'm not sure I understand the whol question, but in general a moving
sound
source will create a Doppler effect, but I don't think what is being
asked
about.
When doing binaural things, beware of the main break in the road that
every
human head has another shape and size, so unless it's a personalized
binaural algorithm, there will be (rather crude) approximations at
hand. Of
course te principle can work fine with the approximations, but the
"perfect"
sound is not easy, there of course are good working examples, like
recently
from Cheskey records, but often the effect must be stimulated and overly
pronounced to really come across, so the suggestion of a few degrees of
accuracy for "buzzing fly" (or
chopper) may not be very easy to achieve!
Which brings me to the standard warning: digital sound software is
bound to
work with samples, and samples at standard rate (like CD rate) are *by
far*
not accurate enough for serious sounds to be even millimeter accurate!
Theo V.
--
dupswapdrop -- the music-dsp mailing list and website:
subscription info, FAQ, source code archive, list archive, book
reviews, dsp
links http://music.columbia.edu/cmc/music-dsp
http://music.columbia.edu/mailman/listinfo/music-dsp
--
dupswapdrop -- the music-dsp mailing list and website:
subscription info, FAQ, source code archive, list archive, book
reviews, dsp links
http://music.columbia.edu/cmc/music-dsp
http://music.columbia.edu/mailman/listinfo/music-dsp
--
dupswapdrop -- the music-dsp mailing list and website:
subscription info, FAQ, source code archive, list archive, book reviews,
dsp links
http://music.columbia.edu/cmc/music-dsp
http://music.columbia.edu/mailman/listinfo/music-dsp
--
dupswapdrop -- the music-dsp mailing list and website:
subscription info, FAQ, source code archive, list archive, book
reviews, dsp links
http://music.columbia.edu/cmc/music-dsp
http://music.columbia.edu/mailman/listinfo/music-dsp
--
dupswapdrop -- the music-dsp mailing list and website:
subscription info, FAQ, source code archive, list archive, book reviews, dsp
links
http://music.columbia.edu/cmc/music-dsp
http://music.columbia.edu/mailman/listinfo/music-dsp
