thanks, eduardo, i've now added that reference, & have boldly reinstated 
it as an article: http://en.wikipedia.org/wiki/Furtherfield

the original reason for deletion was given as: "I just went through 20 
pages of Google and couldn't find a single non-trivial article on the 
subject. It's written like a fan blurb and I highly doubt any serious 
coverage given the one seemingly realistic reference came up blank." 
obviously our definitions of "trivial", "serious" and "realistic" are 
not the same ...

others have said that there is an absence of good "realiable sources", 
questioning whether rhizome & metamute are reliable sources.

apparently the external links were also not helping, which seems kind of 
bizarre to me.

anyway, for now it is back there, who knows for how long, & if anyone 
has any time to add further reliable sources or other information then 
please do.

h : )

Eduardo Navas wrote:
> Hello everyone,
>
> I must admit that I don't completely understand why the page would have been
> proposed for deletion in the first place.  I know of page stubs that are
> fillers and stay on until someone decides to add content to it.  The
> citations are valid enough, as far as I can tell, to show the history of
> Furtherfield.  If more citations will help, I recommend Bosma's historical
> reflection on online art and media culture:
>
> Constructing Media Spaces
> The novelty of net(worked) art was and is all about access and engagement
> Josephine Bosma, written circa 2004.
>
> http://www.medienkunstnetz.de/themes/public_sphere_s/media_spaces/scroll/
>
> Specifically look at the section titled:
> "New diversity: Sarai, Furtherfield, Netartreview, Empyre"
>
> The very best,
>
> Eduardo Navas
>
> On 12/13/08 6:45 PM, "helen varley jamieson" <[email protected]>
> wrote:
>
>   
>


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