Hi all,

This is a great project. Spimes are not intrinsically designed for 
surveillance , and as Simon noticed 'The information in information 
technology always travels both ways'.

I also work on some 'imaginary spimes' and i think that this term coined 
by Bruce Sterling is a powerfull operative concept, for art and design.


There is also a "Spime design workshop" in Second Life monday, june 29 
at 21H CET, you cand take part by registering here (it's free):
http://bit.ly/sdw-application


--
Yann Le Guennec
http://www.yannleguennec.com




Ruth Catlow a probablement écrit :
> -------- Forwarded Message -------- *From*: Chris Speed
> <[email protected] <mailto:[email protected]>>
> 
> Dear all and everyone,
> 
> A series of research opportunities are available to support a large 
> EPSRC project exploring social memory in the emerging culture of the
>  Internet of Things.
> 
> Research Associate, UCL. Fulltime. Duration: 3 years. Start: Sept 09 
> Research Associate, UCL. Fulltime. Duration: 2 years. Start: Sept 09 
> Project Administrator, ECA. Fulltime. Duration: 3 years. Start: Aug
> 09 Studentship, Fulltime. Dundee. Duration: 3 years. Start: Sept 09 
> Studentship, Fulltime. ECA. Duration: 3 years. Start: Sept 09
> 
> *Please visit: * http://www.youtotem.org And then click on links to
> find application details Various deadlines are in place.
> 
> *TOTeM*
> 
> “Spimes are manufactured objects whose informational support is so 
> overwhelmingly extensive and rich that they are regarded as material
>  instantiations of an immaterial system. Spimes begin and end as
> data. They’re virtual objects first and actual objects second.” Bruce
> Sterling, Shaping Things, (2005)
> 
> The TOTeM project is located within the emerging technical and
> cultural phenomenon known as ‘The Internet of Things’. The term is
> attributed to the Auto-ID research group at MIT in 1999, and was
> explored in depth by the International Telecommunication Union who
> published a report bearing the same name at the United Nations net
> summit in 2005. The term, ‘Internet of things’, refers to the
> technical and cultural shift that is anticipated as society moves
> towards a ubiquitous form of computing in which every device is ‘on’,
> and every device is connected in some way to the Internet. The
> specific reference to ‘things’ refers to the concept that every new
> object manufactured will also be able to part of this extended
> Internet, because they will have been tagged and indexed by the 
> manufacturer during production. It is also envisaged that consumers
> will have the ability to ‘read’ the tags through the use of mobile
> ‘readers’ and use the information connected to the object, to inform
> their purchase, use and disposal of an object.
> 
> The implications for the Internet of Things upon production and 
> consumption are tremendous, and will transform the way in which
> people shop, store and share products. The analogue bar code that has
> for so long been a dumb encrypted reference to a shop’s inventory
> system, will be superseded by an open platform in which every object
> manufactured will be able to be tracked from cradle to grave, through
> manufacturer to distributor, to potentially every single person who
> comes into contact with it following its purchase. Further still,
> every object that comes close to another object, and is within range
> of a reader, could also be logged on a database and used to find
> correlations between owners and applications. In a world that has
> relied upon a linear chain of supply and demand between manufacturer
> and consumer via high street shop, the Internet of Things has the
> potential to transform how we will treat objects, care about their
> origin and use them to find other objects. If every new object is
> within reach of a reader, everything is searchable and findable,
> subsequently the shopping experience may never be the same, and the
> concept of throwing away objects may become a thing of the past as
> other people find new uses for old things.
> 
> *The project team are:*
> 
> •    Maria Burke, Salford •    Andrew Hudson-Smith, UCL •    Angelina
> Karpovich, Brunel •    Simone O’Callaghan, Dundee •    Morna Simpson,
> Dundee •    Chris Speed, (PI) Edinburgh College of Art
> 


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