Margareta Lekic and Andi Ant at Factory-Art, Berlin

'WHO BREAKS THE CODES?'
FACTORY-ART

Mommsentrasse 27
10629 - BERLIN
Phone: 0049.(0)30.31809794
Fax:  0049.(0)31519687
Contact: Robert Bogatec
i...@factory-art.com

www.factory-art.com

Opening: Friday 8 January, 6pm

9 January > 27 February

Factory-Art gallery presents the double personal of Croatian artist 
Margareta Lekic and the Slovene artist Andi Ant.

Margareta Lekic

The works of the artist Margareta Lekic are a research into the 
articulation of the relation between man and woman.
Working with conventions of behavior she constructs objects that serve 
to generate manifestations of individual responses to experiential 
mediated devices. 'Wet the finger' is soft sponge that gives a nice 
comfortable feeling to a finger but the result is a laughing sound which 
gives the viewer a note of shame. The work 'Nipple vibrator' is a tool 
for pleasure made out of a kid's toy.

For the sake of analyzing conduct and communication by the construction 
of temporary, simple found units, the artist mainly uses basic round and 
cylinder elements, as in the video 'Circle', which is about creation and 
destruction showed in a basic, silent and very slow way.
In the work 'Stick', conceived as an intervention on the found cardboard 
cylinder, the artist glued an eatable pretzel (which also has a cylinder 
shape) creating one big stick. It deals with the idea of an existent 
phallus structure with the intention of the physical sense 
(eatable-fellatio).
All the works actively involve the viewer. There is a big pointer 
towards the sexual aspect of the relation between both genders, but she 
has well looked at other aspects: the symbolic space of social 
interaction, as aesthetic space and the designed space of the work of art.
The artist will be present at the opening.

Andi Ant

The artist Andi Ant works principally against the conventions. For this 
reason it is his intention to hide his identity: no pictures, no 
interviews nor physical contact.

In this way he obtains to break the rule concerning that we see first a 
finished artwork and afterwards understand it. He usually sends only a 
message where it is described how to realize his artwork. Therefore he 
has turned the action up side down and he asks us to understand the 
artwork before we see it.

In this exhibition we can see 'Uniforms' Catholic clergyman, 2008 where 
big black silicon didlos are wearing the blalck&white catholic clergyman 
and 'Liberté, Egalité, Fraternité', 2008.

With the project 'Liberté, Egalité, Fraternité', 2008 Andi Ant wants to 
ironize the slogan symbol of the French revolution. He underlines that 
not much has really changed from that time.

This time the work is inside a rectangular metal cage containing 4 
elements, each on the four corners. The 'elements' are 4 quails without 
feathers, hairs and heads. These animals can be seen as people. Not 
considered particularly courageous, but as essentially preys they are 
like consumers. The absence of the head makes the situation more 
surreal. It is the symbol of the uncertainty in which we humans are living.
Andi Ant lives between Chennai_India and Capadoccia_Turkey and he will 
not be present at the opening.




_______________________________________________
NetBehaviour mailing list
NetBehaviour@netbehaviour.org
http://www.netbehaviour.org/mailman/listinfo/netbehaviour

Reply via email to