>>>> "i mean co-authoring in a way that they can insert their own creativity &
alter/influence the work.²

@Helen: I am still interested in the idea that social media (and that
includes this list) is in fact an intermedial exchange & process of
co-authorship, that we are in fact, together,
authoring/constructing/generating a collective body of knowledge via this
exchange. If you were to go back and read through the archives of
NetBehaviour I am certain there is a ³cultural record²  (to use the words of
Vannevar Bush) with a narrative flow that captures a ³story² of the time and
place and people involved. I consider social media (generally and perhaps
idealistically speaking) to be expressive, performative (not
proconsumative), and participatory in equal measure, narrative in a
non-hierarchical structure, a theater of words and ideas.


that's quite nice :)
 
 
On 4/03/15 5:09 16PM, Patrick Lichty wrote:
 
 
>     
>  
> 
> How about ³Performience²?
>  
>  
>  
>  
>  
> 
> From: [email protected]
> [mailto:[email protected]] On Behalf Of helen varley
> jamieson
>  Sent: Wednesday, March 04, 2015 9:45 AM
>  To: [email protected]
>  Subject: Re: [NetBehaviour] my Netartizen contribution
>  
>  
>  
>  
>  
> "prosumer" is not a word for actor+audience, it's a word for
> producer+consumer, which is about product and consumption, rather than
> relationship & experience.
>  
>  i have long hunted for a good word for this - for audiences that are
> participating in a really creative way in a work - & i don't just mean the
> "interactivity" of pressing a button or something like that. i mean
> co-authoring in a way that they can insert their own creativity &
> alter/influence the work. i have written about the "intermedial audience", as
> a way to understand the role of the audience in cyberformance & potentially
> other digital art contexts.
>  
>  
>  
> The concept of intermediality offers a way to approach an audience that is as
> unfinished and (r)evolutionary as the work it is engaging with. It upgrades
> the passive spectator to an integral position within cyberformance, without
> relinquishing the fundamental gap between performer and spectator. At the same
> time, intermediality acknowledges the mental multitasking that cyberformance
> demands of its audience and the paradigm shift that is forced onto those more
> accustomed to the traditional codes of audience behaviour.
>  
> (this was written 8 years ago & perhaps needs updating now given then
> increased possibilities for audience participation/contribution.)
>  
>  i don't think the intermedial audience are "players of equal measure", & i'm
> not sure if this really exists (when an artist or group has conceived the work
> or created the context for it except maybe in gaming?).
>  
>  h : )
>  
>  
> 
> On 4/03/15 5:02 28AM, Karl Heinz Jeron wrote:
>  
>  
>>  
>>  
>> 
>> Hello, 
>>  
>>  
>> 
>> there is a word for actor and audience in the social media realm: prosumer!
>>  
>>  
>>  
>> 
>> And hey if at all this is postdramatic theatre.
>>  
>>  
>>  
>> 
>> Followers equals audience? I don't think so.
>>  
>>  
>>  
>> 
>>  
>>  
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>> 
>> Cheers
>>  
>>  
>>  
>> 
>> KH
>>  
>>  
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>> 
>>  
>>  
>>  
>> 
>> 2015-03-04 0:05 GMT+01:00 isabel brison <[email protected]>:
>>  
>>  
>> 
>> Hello, 
>>  
>>  
>>  
>>  
>> 
>>  
>>  
>>  
>>  
>> 
>> I can't really agree:
>>  
>>  
>>  
>> 
>>  
>>  
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>>  
>> 
>>  
>>  
>>  
>>>  
>>>  
>>>  
>>> 
>>> When we sit in the theater, we are essentially a receiver of information
>>> that is passed from the stage to the audience. But in the world of social
>>> media, we are all actors on the stage: the fourth wall is erased, the
>>> proscenium dissolves, there are no lights to turn down, the suspension of
>>> disbelief is revised, as information (or lines) are passed not just from the
>>> one to many, but from everyone to everyone.
>>>  
>>>  
>>>  
>>  
>>  
>> 
>>  
>>  
>>  
>>  
>> 
>> Most of us are audience most of the time, as actors need audience to be
>> actors. And what's the difference between a screen and a stage? except that
>> on a screen it is not always considered bad manners to join in the act.
>>  
>>  
>>  
>> 
>> And some of us deliberately choose to be audience, others act occasionally,
>> some act as a hobby and others professionally ( though I'm not sure that
>> acting is a good analogy at all for social interaction - there should be a
>> word for actor and audience all in one, and possibly for combinations of
>> different amounts of one and the other).
>>  
>>  
>>  
>> 
>>  
>>  
>>  
>>  
>> 
>>  
>>  
>>  
>>>  
>>>  
>>>  
>>> 
>>>  how do we insert ourselves into this story, not as receivers, but as
>>> players of equal measure,
>>>  
>>>  
>>>  
>>  
>>  
>> 
>>  
>>  
>>  
>>  
>> 
>>  Tweet! Retweet! Respond! - Seriously, that account only has 14 followers.
>> How can it act at all in the absence of audience? Is it a bad actor? If we're
>> all actors then how many of us are bad actors and should consider a change of
>> carreer?
>>  
>>  
>>  
>> 
>>  
>>  
>>  
>>  
>> 
>> Oh and a funny thing: I followed the link above and it gave me an error. It's
>> really @The_People_Came <https://twitter.com/The_People_Came> . Was that on
>> purpose I wonder?
>>  
>>  
>>  
>> 
>>  
>>  
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>>  
>> 
>> Cheers
>>  
>>  
>>  
>> 
>>  
>>  
>>  
>>  
>> 
>> Isabel - semi-professional lurker
>>  
>>  
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>> 
>>  
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>>  
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>> 
>>  
>>  
>>  
>> 
>>  
>>  
>>  
>> -- 
>>  
>>  
>>  
>> 
>> http://isabelbrison.com
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>>  
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>> http://tellthemachines.com
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>> 
>>  _______________________________________________
>>  NetBehaviour mailing list
>>  [email protected]
>>  http://www.netbehaviour.org/mailman/listinfo/netbehaviour
>>  
>>  
>>  
>>  
>>  
>> 
>>  
>>  
>>  
>>  
>> _______________________________________________
>>  
>> NetBehaviour mailing list
>>  
>> [email protected]
>>  
>> http://www.netbehaviour.org/mailman/listinfo/netbehaviour
>>  
>  
>  
>  
>  
> 
> -- 
>  helen varley jamieson
>  [email protected]
>  http://www.creative-catalyst.com
>  http://www.talesfromthetowpath.net
>  http://www.upstage.org.nz
>  
>  
>  
 
 
-- 
 helen varley jamieson
 [email protected]
 http://www.creative-catalyst.com
 http://www.talesfromthetowpath.net
 http://www.upstage.org.nz
 
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