As Matt has said pipes/fiddle duets (and combinations of pipe/fiddle with
other instruments) are 
''not at all unusual '' and the various people mentioned especially the High
Level Ranters as Colin R has pointed out  pioneered in this.

I have played  duets (and in bands) with a fiddler (Peter French though
unfortunately he's still based in Hong Kong and me in the Scottish Borders!)


This type of duet (and playing in a small band), though hard work is for me
one of the most satisfying ways to use the pipes.

However it's surprisingly difficult to find interested fiddlers.

The smallpipes we find most compatible are the D NSP and D SSP where
chanters are easily interchangeable in performance and the latter are
excellent for playing in G.  Also the ability to pick up the Border pipes is
great when the ''folk band'' shifts up into ceilidh band mode.  

As for John's mention of A SSP's these pipes are (unfortunately?) by far the
most prevalent  type of smallpipe adopted by Highland pipers, and can sound
nice with a fiddle and there's a benefit to the fiddlers who can easily read
Scottish pipe notation without transposing. Maybe its an advantage to play
with a non-dot-reading fiddler who learns tunes primarily by ear, like
Peter.  Of course the type of pipes to employ when playing with other
instrumentalists all depends on the context of performance.

Bill
(Currently recuperating having just had to play with band at 4 Burns Suppers
unfortunately duties involving haggis-piping-in mode)




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