The Alexa has an option to capture 422 prores, so when you said it
looked 422 I thought maybe it was.

-deke

On Thu, Sep 22, 2011 at 17:56, Nick Guth <[email protected]> wrote:
> They were shot to AppleProRes444 (which is the Alexa native format). It's
> straight from the camera in a .mov file format. They were converted to DPX
> and are in the AlexaV3LogC colorspace in nuke. We also tried pulling the raw
> .mov directly into Nuke, but have the exact same result.
> --
> Nick
>
> On Thu, Sep 22, 2011 at 5:51 PM, Deke Kincaid <[email protected]> wrote:
>>
>> What file format we're they shot to and which colorspace?
>>
>> -deke
>>
>> On Thu, Sep 22, 2011 at 17:44, Nick Guth <[email protected]> wrote:
>> > Read brought in using AlexaV3LogC.
>> > Has anyone had success with keying footage shot on the Alexa? It seems
>> > to
>> > have a weird 422 look, but according to the documents it shoots 444. We
>> > brought in the raw .mov from the camera and we're still getting poor
>> > results. I attached an example of the before and after (one click key
>> > with
>> > primatte). Why is it keying the edges around highlights?
>> > Two of our shows are now shot on this camera and we're having a
>> > difficult
>> > time getting positive results from it. If this was shot on RED it
>> > wouldn't
>> > be a problem. Our work around for now is to roto everything and add
>> > selective keys to the roto for details, unfortunately TV schedules don't
>> > allow for such detailed workarounds.
>> > Any help would be appreciated. Thanks!
>> >
>> >
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>
>
> --
> Nick Guth
> motion . composite . design
> www.nickguth.com
>
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