Nick not to be a thorn but to completely agree with John Mangia. This isn't bad footage to key. Don't you have a comp sup there that can help you understand how to use the Nuke Keyers? If you would like to send me one frame in the next hour or a portion of a frame maybe I can do a quick key that gives you a solid basis to start from on keying this footage.
Randy Randy S. Little http://reel.rslittle.com http://imdb.com/name/nm2325729/ http://www.linkedin.com/in/rslittle On Sep 23, 2011, at 11:56 AM, Nick Guth wrote: > So the reality of the situation is we won't be able to get raw arri files, so > we have to deal with the prores! I tried the UV trick, but it doesn't seem to > help alleviate the issues we're having. We've confirmed it's 444 and we can > get decent keys on some areas of our footage, but any highlight or bright > area with a value over 1 is producing hard erratic edges, almost like the > keyer thinks it's the same chroma as the green. I attached another example of > it, this time with a bit of hair that's over 1. > > Example @7x. > > <Screen shot 2011-09-23 at 10.54.50 AM.png><Screen shot 2011-09-23 at > 10.55.05 AM.png>_______________________________________________ > Nuke-users mailing list > [email protected], http://forums.thefoundry.co.uk/ > http://support.thefoundry.co.uk/cgi-bin/mailman/listinfo/nuke-users
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