Yeah they move all over the place. For now I'm using Primatte as my main fill matte, eroding it down a bit to create a decent core. Merging that with a soft edge key, and then applying a luma keymix for some of the details. Filling in the rest of the holes with selective roto's. Unfortunately, it just makes our workflow a bit slower and you know TV and their scheduling!
Cheers and thanks. On Fri, Sep 23, 2011 at 11:18 AM, Miodrag Colombo <[email protected] > wrote: > I'm actually keying your PNG files and I do get some good result. > > I do use both IBK and Keylight. of course the center area of the > greenscreen has loads of grain but you can actually remove it with a garbage > mask, however I dont know whether in your footage your actors are moving > that much, otherwise. > > for the hard key you can actually make your own roto if that helps > otherwise you could use again Keylight for hard key and then IBK for > details. perhaps some additive keyer techniques to bring extra details. > > Mio > > > > > On 24 September 2011 02:08, randy Little <[email protected]> wrote: > >> Nick not to be a thorn but to completely agree with John Mangia. This >> isn't bad footage to key. Don't you have a comp sup there that can help >> you understand how to use the Nuke Keyers? If you would like to send me >> one frame in the next hour or a portion of a frame maybe I can do a quick >> key that gives you a solid basis to start from on keying this footage. >> >> Randy >> >> >> >> Randy S. Little >> http://reel.rslittle.com >> http://imdb.com/name/nm2325729/ >> http://www.linkedin.com/in/rslittle >> >> >> >> >> >> >> >> >> >> >> On Sep 23, 2011, at 11:56 AM, Nick Guth wrote: >> >> So the reality of the situation is we won't be able to get raw arri files, >> so we have to deal with the prores! I tried the UV trick, but it doesn't >> seem to help alleviate the issues we're having. We've confirmed it's 444 and >> we can get decent keys on some areas of our footage, but any highlight or >> bright area with a value over 1 is producing hard erratic edges, almost like >> the keyer thinks it's the same chroma as the green. I attached another >> example of it, this time with a bit of hair that's over 1. >> >> Example @7x. >> >> <Screen shot 2011-09-23 at 10.54.50 AM.png><Screen shot 2011-09-23 at >> 10.55.05 AM.png>_______________________________________________ >> >> Nuke-users mailing list >> [email protected], http://forums.thefoundry.co.uk/ >> http://support.thefoundry.co.uk/cgi-bin/mailman/listinfo/nuke-users >> >> >> >> _______________________________________________ >> Nuke-users mailing list >> [email protected], http://forums.thefoundry.co.uk/ >> http://support.thefoundry.co.uk/cgi-bin/mailman/listinfo/nuke-users >> > > > > -- > > __Miodrag Colombo > __Compositing Reel 2011 <http://vimeo.com/25396012> > __PIXOMONDO / SHANGHAI > __Features Films/Commercial > __Lead Compositor / Salsa Teacher / Dancer > __SHA mobile: +8618721279510 > __www.miodragcolombo.com > > > > _______________________________________________ > Nuke-users mailing list > [email protected], http://forums.thefoundry.co.uk/ > http://support.thefoundry.co.uk/cgi-bin/mailman/listinfo/nuke-users > -- Nick Guth motion . composite . design www.nickguth.com
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