Hmmm ...

As a "purist" who prefers to photograph B&W with traditional film, the
idea of exposing color film and then converting to B&W in PS seems
something of a cheat.  However, I agree that some photos look better in
B&W, others in color, and have at times "cheated." Yet I still feel that
the photo isn't a true B&W photo ... but that's the artist in me, not
the practical photo-journalist or documentary shooter.

Using a digicam gives me similar feelings ... 

I've the book Vietnam Inc, by Philip Jones Griffith, and I never knew
that some of the photos had been converted from color, yet it seems
logical to have made such conversions.  In a scenario that spans a few
years of photographing, covering a wide area in numerous situations,
it's realistic to assume that, at some point, the photog will run out of
Tri-X, and will have to use whatever's available, and I'm sure there
were other reasons for the conversions, such as needing to shoot color
for a particular assignment and wanting to keep the book uniformly in
B&W.

I'm far less critical of making such conversions these days ... perhaps
because I'm getting lazier, perhaps because the technology is now
available for me to do it easier and at little cost, and I'm enjoying
playing with the technology, or maybe I just don't give much thought any
more to how a photograph was made, and spend more time considering the
results.

I still don't like the idea, though, of including desaturated color in
the B&W section of the PUG .... odd, in some ways, don't you think? 

Cotty wrote:
> 
> Bearing in mind the prevalence of the *ist D and others in the kit bags
> of folk on this list, I thought it would be worth mentioning this article
> I found while going through the back issues of The Digital Journalist
> (www.digitaljournalist.org). On the subject of monochrome versus colour,
> with film you load it and get that mindset on. With digital....
> 
> <http://digitaljournalist.org/issue0311/howe.html>
> 
> Cheers,
>   Cotty
> 
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