This one time, at band camp, "Tanya Mayer Photography" <[EMAIL PROTECTED]> wrote:

> That certainly gives me some "food for thought".  Thanks for posting that
> Cotty and Christian...

> > "I  hear the word manipulation forming on someone's lips. Yes, you're
> right,
> > converting a digital file to monochrome in Photoshop is manipulation, but
> > photography is manipulation from beginning to end. Your choice of lens is
> > manipulation; so is the way you frame, the shutter speed and aperture at
> > which you shoot, your selection of Fuji or Kodak color film if film is

I was giving some thought to this also and have had this debate often.
My way of thinking about photography is that a photograph 'captures' a
scene. We may use various filters, lenses, films etc to manipulate the
light, but is this not what photography is? Painting with light.
Artistic content is what seperates photographs from snapshots. A 
photographer with an eye can look at a scene and see the photo within.
This may include the use of an infrared Black and White file, several
filters and a macro lense, all combined to capture the image the photographer
has seen.

Any manipulation after the capture is secondary to the event creates a digital image. 
This could be in the dark room burning in, or on a computer removing an unwanted bird.

I am not saying anybody is right or wrong in this regard. I believe in any means
to achieve your goal. This is just how I distinguish between a photograph and a
digital production.

Kind regards
Kevin


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Kevin Waterson
Port Macquarie, Australia

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