My most profound revelation on colour casts in lenses happened when I
got my first ED (F*-FA*) lens. All of my shots on non-ED glass looked like
silly little snapshots, with highly unrealistic colour. The ED glass
focusses all of the colours on the same point (plane), yeilding a marvelous
rendition withh accurate, saturated, and in-focus colours. I then traded in
all of my other lenses on the high-end stuff, and now own a FA*24 f2, an FA*
28-70 f2.8, an FA*85 f1.4, and the fabulous F* 300 f4.5. They really do make
a huge difference, especially in the colour department.
Cameron
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