An alternative to using a retardant in the developer is to process normally,
and then skim off the fog with some Farmer's reducer.  If you're brave and
confident you can use single bath Farmer's, but for more control you can
keep the bleach and the fixer separate, bleach first a little less than
needed , leaving just a trace of fog, then fix, the reduction continues a
little in the fixer.

Farmer's reducer is a 1:1 solution of potassium ferricyanide and plain
non-hardening fixer.  The concentration of the ferricyanide isn't critical,
just makes it slower or faster so suit yourself.  The simple source of this
very nasty stuff is part A of a sepia toning kit.  HANDLE CAREFULLY
(shouting intentional).

Regards,
Anthony Farr

-----Original Message-----
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Scott Loveless
Sent: Sunday, 11 March 2007 4:37 AM
To: Pentax-Discuss Mail List
Subject: Tri-X in Dektol

Do any of you recall how a newspaper darkroom might have developed
Tri-X in Dektol?  From what I've read it would have been used 1+1 or
1+2 for a very short amount of time, 1.5 or 2 minutes, and then
immediately fixed (skipping the stop).

I recently acquired a bulk roll of Tri-X that's well past its
process-by date (thanks, Godders!) and need work around a slightly
higher than normal base fog.  The first test roll, shot at 400 and
souped in D-76 1+1, resulted in good acutance, but not enough exposure
to overcome the fog in the shadows.  So I'm looking at over-exposing
(IE 200 or so) and developing for a bit more contrast.  Plus, I have
this Dektol taking up space.....

Thanks, folks!

-- 
Scott Loveless
http://www.twosixteen.com
Shoot more film!

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