Since any concerns would have to do with retouching, I would think they would 
be stricter with freelance stringers.
Paul
 -------------- Original message ----------------------
From: Mark Roberts <[EMAIL PROTECTED]>
> [EMAIL PROTECTED] wrote:
> 
> >On the few occassions I've shot for the NY Times, they've asked only 
> for hi-res jpegs. I shot RAW, but they never requested the original 
> files. However, none of these were for what you would call "hard news" 
> stories.
> 
> And I expect they may be stricter with photogs who are full-time 
> employees.
> 
> 
> 
> >Paul
> > -------------- Original message ----------------------
> >From: Mark Roberts <[EMAIL PROTECTED]>
> >> William Robb wrote:
> >> 
> >> >The pro guys I deal with are mostly shooting jpg. The exceptions are 
> >> when 
> >> >they feel the need for the extra WB control, although even then, they 
> >> aren't 
> >> >doing much beyond using the default conversion to jpg.
> >> 
> >> Is this mostly in a studio environment? JPEG makes sens there because 
> >> lighting and exposure are controlled. All the wedding pros I know 
> >> personally shoot Raw because of the constantly changing lighting.
> >> 
> >> And many PJ photographers are required by their employers to shoot Raw 
> >> now, so that they have a verifiable "original" in case allegations of 
> >> image manipulation come up. When Patrick Schneider spoke at the GFM 
> >> Camera Clinic (the late summer PJ event) in the midst of his image 
> >> alteration controversy a few years ago, he revealed that the Charlotte 
> >> Observer has *always* required its photographers to shoot Raw. The 
> >> paper keeps a permanent archive of all its photographers' Raw files 
> >> just in case questions about a photo's authenticity arise later. Given 
> >> the various scandals that have arisen since then, I'd be amazed if 
> most 
> >> major papers didn't have very similar policies.
> >> 
> >> 
> >> 
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