On Mon, Aug 18, 2008 at 5:28 PM, Derby Chang <[EMAIL PROTECTED]> wrote:

> In somewhat more words, Errol Morris (remember the Roger Fenton Crimean
> War cannonball analysis) discusses this subject with a digital
> photography expert
>
> http://morris.blogs.nytimes.com/2008/08/11/photography-as-a-weapon/index.html
>

I'm still working through this most interesting article, but early on
he certainly sums up why photography is such an incredibly powerful
medium:

"The Vietnam War, the war abroad and the war at home, has been reduced
to a few iconic images — the Napalm girl, the girl at Kent State. What
seems to emerge from major events and eras are one or two images that
effectively embody the emotion and rage, the happiness and anger. The
whole thing somehow is enfolded in there. The brain is just very good
at processing visual imageries and bringing in memories associated
with images."

Photography remains the ~only~ medium that can freeze time - that can
capture a moment;  it's so "realistic" that even if altered, our brain
(on an emotional level) has no choice to react.  No wonder our
reactions to some images are so visceral.

Now back to the article.  Thanks for posting it, BTW.

cheers,
frank

-- 
"Sharpness is a bourgeois concept." -Henri Cartier-Bresson

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