Frank,

I think you've summed up most of the responses in those 65 posts pretty
well!


Cheers

Brian

++++++++++++++++++++++++++++++++++
Brian Walters
Western Sydney Australia
http://members.westnet.com.au/brianwal/SL/



On Mon, 18 Aug 2008 09:17:31 -0400, "frank theriault"
<[EMAIL PROTECTED]> said:
> On Sat, Aug 16, 2008 at 3:34 AM, Brian Walters <[EMAIL PROTECTED]>
> wrote:
> > Hi all
> >
> > This may have been discussed previously but I thought it might be worth
> > canvassing PDMLers' views, in the light of Ann's comments on my recent
> > "Stumped - Take 2" PESO.
> >
> > I think most people would regard the recent "Iran Missile" fiasco as
> > being in the "way too much" category and a few journalists have got
> > themselves into strife in recent years by 'sexing up' news images.
> > Although photography has always been a weapon of propaganda, well before
> > the digital age, these are distorting history and can't be justified.
> >
> > At the other extreme, removing the odd dust spot or maybe a distracting
> > leaf or branch would probably be regarded as being OK by most people.
> >
> > But what about the middle ground - when do we step over the line?
> <snip>
> 
> So I turn on my computer on Monday morning at work and see this thread
> of some 65 posts!  I'm sure what I'm about to say has been covered and
> discussed to death, but here's my take.
> 
> At one extreme you've got PJ shots - shots that purport to be "truth"
> (whatever the hell that means!).  I say that beyond cropping and
> "cleaning up" stuff that the camera/lens added (dust and hot pixels
> and the like) you don't do a thing.  No cloning in or out.
> 
> At the other extreme, you've got "art photos", which are there to look
> pretty (or at least they are there to present someone's "artistic
> vision" - whatever the hell that means).  Not much turns on whether
> something has been put in/taken out/altered in any way.  Whatever
> truth they're conveying is contained within the image, they're not
> there to portray some truth external to the artist/viewer/image.  At
> least not always.
> 
> And then there's all the other stuff in between.  I guess what's right
> or wrong is situational and has to be dealt with on a case by case
> basis.
> 
> It comes down to what the photographer would want the viewer to
> believe, and how it's presented.
> 
> cheers,
> frank
> 
> 
> -- 
> "Sharpness is a bourgeois concept." -Henri Cartier-Bresson
> 
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