On Sep 20, 2008, at 3:42 PM, Derby Chang wrote:

>> do you notice any particular loss of quality using lenses that were
>> designed for film on the smaller sensors? I ask because several of my
>> Zeiss lenses produce quite noticeable purple fringing, particularly  
>> in
>> backlight, when used on the Olympuses. I understand why it happens,
>> but I wonder if there are similar issues on other digital systems.
>>
> Bob, a few wonderful Pentax lenses are surprisingly ordinary on  
> digital.
> My FA*24 comes to mind, although I've heard others haven't had a  
> problem
> with it. I also get the occasional oddity with the K and A 50/1.2, but
> it isn't noticeable if used in low light.

I've tried several different and generally known to be good performing  
lenses adapted to the E-1 and L1 ... here's my summary:

Pentax Fish-Eye-Takumar 17/4 - works well, a bit of flare to deal with
Pentax DA21/3.2 Limited - difficult to work with, difficult to focus,  
mediocre to good results, no fringing
Nikkor 20/3.5 AI - excellent to work with, excellent results all around
Olympus OM 28mm f/3.5 - okay/okay, some fringing
Pentax FA43/1.9 Limited - good to work with but results not as good as  
Olympus 35 Macro
Pentax M50/1.4 - excellent to work with, okay to good results (14-50  
does better)
Nikkor 105/2.5AI - Exc/Exc, some fringing
Nikkor 180/2.8AI - Exc/Exc

 From what I've seen given people using Leica M-bayonet lenses from  
Leica and Cosina/Voigtländer with the R-D1, the results have been  
quite good overall. But again you can only really judge critically on  
a lens by lens basis. An R-D1 with a Nokton 28/1.9 and a Nokton  
40/1.4, maybe the 15mm lens as well, would be a great kit for me FoV- 
handling wise, and the R-D1 has a wonderful "classic" feel to it.

FWIW, I've given up on the 'adapted lenses' business now. All the  
Olympus ZD and Panasonic/Leica FourThirds lenses outperform all the  
adapted lens I've used on these bodies.

Godfrey
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