On Wed, Apr 1, 2009 at 12:51 AM, Godfrey DiGiorgi <[email protected]> wrote:
>
> On Mar 31, 2009, at 6:55 PM, Scott Loveless wrote:
>
>> Thanks, Godfrey.  That helps quite a bit.  I've been digging through
>> photos, mainly on flickr, looking at different films souped in Xtol.
>> There's obviously the possibility of lots of editing, but I'm seeing
>> similarities, too.  Just ordered a bunch of Plus-X.  And I think I
>> have some TMAX around here, so I'll do some comparisons.
>
> Plus-X and Tri-X do well too, but compared to TMax 100/400 or Delta 100/400
> they simply don't compete on grain structure and tonal differentiation. They
> also don't push anywhere near as well.
>
> TMax 100 took me about 20 rolls to understand how to expose and process it
> properly. Before that I thought it was crap. Once I 'got' it, it does better
> than nearly anything else other than Agfapan APX25. A truly remarkable film.
>
> Godfrey
>

On the subject of Tonal Differentiation and pushing Tri-X beats both
TMax 400 and Delta 400 silly. My experience with the modern emulsions
are that they have extremely poor midtone seperation unless you are
using per-sheet development compensation to deal with known SBR's and
using N-1 or N-2 tiimes to stretch the midtones out. As to TMax 100,
try some Neopan Acros, all the strengths of TMax 100 without the
excessive sensitivity to slight changes in development, better
midtones and no reciprocity failure until 2 minutes.

As to pushing, both of the modern emulsions are good for a 2-3 stop
push max, while Tri-X can be pulled as far as 100 and pushed to 6400
fairly easily, and at least in 120 EI 12800 or 25600 are attainable
(But at the edge of sanity). Of course, my results are in TMax Dev and
Rodinal 1:100 stand developed not X-Tol.

Both Delta and TMax seem to be to be ideal films for anyone using the
full zone system, or who does heavy dev-time or darkroom/PS
manipulation.


-- 
M. Adam Maas
http://www.mawz.ca
Explorations of the City Around Us.

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