>>> In my "prime" as a darkroom worker I could make 100 8x10
> prints, all
>>> from different negatives, in 2 hours.
> 
> I presume you using a processor? When I was doing the home lab
> business, I could print 3 - 24 exposure rolls of film, all
> negatives metered, and contrast eyeballed, in an hour. This was
> 3x5 or 4x6 prints, but I was tray processing.
> I was never that fast with bigger prints, I was able to produce
> perhaps 20 8x10s per hour.


Nope, hand processing in trays. B&W prints, though.

More recently my tendency is to take three or six sheets of newly developed
film into the darkroom, rather casually make 1-8 workprints from each roll,
process them in two or three batches, and not hurry particularly.

I have a strange tendency to stay between 1-8 frames per roll. I hate not
printing ANYTHING from a roll--because it usually means I haven't looked
over the proof sheet carefully enough. But I also dislike printing too much
from a single roll--it, in turn, usually means that I'm not being
discriminating enough.

Of course, that was in my last house. Here, I haven't finished building the
darkroom yet--mainly because this time I'm building a deluxe one, just the
way I've always wanted it. I'm taking my sweet time. And I have about 170
rolls of Tri-X awaiting development!

What can I say, it's been a light shooting year.

--Mike


* * * * * * * * * * * * * * * * * * * * * * * * *
Mike Johnston's online articles about photography:
http://www.luminous-landscape.com/m-johnston.htm

http://www.mir.com.my/rb/photography/opinion/mikejohnston/index.htm

http://www.mir.com.my/rb/photography/opinion/html/sharpness.htm
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