Bipin,
I used a M85/2.0 often on film.  It facilitated many casual portraits.
When the FA77/1.8 limited came along, it too was a favorite on film.
With digital, the 50mm would offer a similar field of view as the above.
But the FA50/1.4 has never been a favorite on digital???
I recently acquired a DA55/1.4 and it could become that favorite again.
I really like the image quality.
Regards,  Bob S.

On Wed, Feb 8, 2012 at 12:18 PM, Walt Gilbert <[email protected]> wrote:
> On 2/8/2012 11:16 AM, Bipin Gupta wrote:
>>
>> Hello Walt, that DA 50/1.8 looks good if it is going to be loads
>> cheaper than the good old FA's. But honestly I have tried 50mm lenses
>> on my K20D / K-5 and find it is one of the oddest focal lengths on an
>> APS-C - 75 mm. I can't use it inside my home - Birthdays, Prayer
>> Meets, others - I have to move away from the subject and end up
>> hitting the walls; can't use it on the streets - find I need an 18 to
>> 28 mm for street photography, can't use it for city scapes - like the
>> 10-20 mm for this. So what can I use it for - only portraits?
>>
>> I am truly bamboozled. Please help point me to why I should keep the 50
>> mm??
>>
> Hi Bipin,
>
> It really surprises me that you don't find the 50mm focal length useful.
> Since I got my K-50/1.4 I've probably used it for more than 90% of all the
> shots I've taken. Granted, it takes a good deal of perseverance for me to
> nail the focus using it in small rooms, but I generally manage somehow. I've
> used it for everything from landscapes to candid portraits to macros (with a
> reversing ring). In fact, the only thing I haven't used it for is drag
> racing.
>
> I admit it's probably not the /ideal/ lens for any of those uses, but I've
> essentially come to the conclusion that I love the images it produces so
> much more than the ones I get out of my other lenses that I just figure out
> a way to /make/ it work. I'm pretty sure if I had any lenses of comparable
> optical quality in other focal lengths, I'd use it less. But, for just about
> the past year, I've shot as though it's the only lens I have.
>
> I guess it all depends on how you look at it. Some say, "When the only tool
> you have is a hammer, everything looks like a nail." I tend to see it as,
> "You'd be amazed at what you can do when you don't have a choice."
>
> -- Walt
>
>
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