My question:  where is the advantage?  Is there any way Leica could
develop a purely B&W sensor that had advantages that it wouldn't have
if it did color as well?

On Sat, Mar 17, 2012 at 12:18 PM, Mark Roberts
<[email protected]> wrote:
> It has occurred to me that one of the stupid things about making a
> digital camera with a black-and-white-only sensor would be that it
> would be like buying a film camera that would only work with one kind
> of film. OK, you could have different sensitivity settings, but B&W
> films had their own sensitivity curves and reacted differently to red,
> green and blue light. You could change things with filters, of course,
> but those are not nearly flexible/versatile to make one film emulate
> the RGB sensitivity curves of another.
>
> In a digital camera you can emulate the looks of different B&W films
> to some extent by working with the individual RGB curves during raw
> processing, but the sensor has to capture individual RGB data in the
> first place - a B&W-only sensor wouldn't permit this so you'd be
> locked into one "look" forever. If Leica were to make a B&W-only
> camera, one way around this would be to use a color sensor and
> implement the B&W limitation in software. That seems a bit silly (not
> that some people wouldn't buy it anyway).
>
> If the Leica rumor turns out to be real, perhaps they are implementing
> the B&W-only limitation in software but using the kind of sensor Kodak
> announced a few years ago with a non-Bayer pattern that sacrifices
> some color sensitivity for greater luminance sensitivity . Here's the
> DP Review article about it:
> http://www.dpreview.com/news/2007/6/14/kodakhighsens
>
>
> --
> Mark Roberts - Photography & Multimedia
> www.robertstech.com
>
>
>
>
>
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-- 
Steve Desjardins

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