On 11/29/2013 9:55 PM, Marco Alpert wrote:
And likewise for me as well. Although I work almost entirely in B&W,
the conversion tools in ACR and Photoshop have become key elements in
establishing each shot’s tonality. I wouldn’t be willing to give that
up in exchange for whatever resolution advantage a dedicated
monochrome camera might offer.
-Marco
I'm totally with you on this one, Marco. I much rather control my b&w
work by playing with channel mixer than with color filters in front of
my lenses...
So, to the original question - no, I most certainly won't be buying the
monochrome camera.
Boris
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