It's not a problem, it's just a fact.

B

> On 6 Mar 2014, at 20:06, "Darren Addy" <[email protected]> wrote:
> 
> Paul is right. The problem is not within your camera but between our
> ears (as with so many things in life).
> 
>> On Thu, Mar 6, 2014 at 1:56 PM, Paul Stenquist <[email protected]> 
>> wrote:
>> 
>>> On Mar 6, 2014, at 2:48 PM, Steve Cottrell <[email protected]> wrote:
>>> 
>>> On 4/3/14, Rick Womer, discombobulated, unleashed:
>>> 
>>>> You can use a color camera to take monochrome pix, but you can't use a
>>>> monochrome camera to take color ones.
>>> 
>>> This would be my prime motivation form something like this. I find it
>>> really hard to 'think' mono while shooting with a normal colour sensor.
>> 
>> I find this odd, in that when shooting BW with a film camera one sees a 
>> color scene in the viewfinder. Why would the knowledge that a color sensor 
>> lurks within make it harder to think in BW than would looking through the 
>> color viewfinder on a film camera? Thinking in BW is just a matter of 
>> knowing how colors convert to grey. In truth, the color information is an 
>> important part of the process. Of course, it's best to plan your BW shots, 
>> rather than just converting the ones that don't work in color. But the 
>> hidden sensor doesn't enter into the equation.
>> 
>> 
>>> 
>>> For this reason I shoot jpegs with the mono set - but it's too damn easy
>>> to switch back to colour with the Fujis.....
>>> 
>>> --
>>> 
>>> 
>>> Cheers,
>>> Cotty
>>> 
>>> 
>>> ___/\__    Broadcast, Corporate,
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>>> 
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> 
> 
> 
> -- 
> Photographers must learn not to be ashamed to have their photographs
> look like photographs.
> ~ Alfred Stieglitz
> 
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