Paul via phone

> On Mar 6, 2014, at 6:38 PM, Bob W-PDML <p...@web-options.com> wrote:
> 
> It's not a problem, it's just a fact.
> 
> B
True. It's only a problem when that organ between the ears misfires.
> 
>> On 6 Mar 2014, at 20:06, "Darren Addy" <pixelsmi...@gmail.com> wrote:
>> 
>> Paul is right. The problem is not within your camera but between our
>> ears (as with so many things in life).
>> 
>>>> On Thu, Mar 6, 2014 at 1:56 PM, Paul Stenquist <pnstenqu...@comcast.net> 
>>>> wrote:
>>>> 
>>>> On Mar 6, 2014, at 2:48 PM, Steve Cottrell <co...@seeingeye.tv> wrote:
>>>> 
>>>> On 4/3/14, Rick Womer, discombobulated, unleashed:
>>>> 
>>>>> You can use a color camera to take monochrome pix, but you can't use a
>>>>> monochrome camera to take color ones.
>>>> 
>>>> This would be my prime motivation form something like this. I find it
>>>> really hard to 'think' mono while shooting with a normal colour sensor.
>>> 
>>> I find this odd, in that when shooting BW with a film camera one sees a 
>>> color scene in the viewfinder. Why would the knowledge that a color sensor 
>>> lurks within make it harder to think in BW than would looking through the 
>>> color viewfinder on a film camera? Thinking in BW is just a matter of 
>>> knowing how colors convert to grey. In truth, the color information is an 
>>> important part of the process. Of course, it's best to plan your BW shots, 
>>> rather than just converting the ones that don't work in color. But the 
>>> hidden sensor doesn't enter into the equation.
>>> 
>>> 
>>>> 
>>>> For this reason I shoot jpegs with the mono set - but it's too damn easy
>>>> to switch back to colour with the Fujis.....
>>>> 
>>>> --
>>>> 
>>>> 
>>>> Cheers,
>>>> Cotty
>>>> 
>>>> 
>>>> ___/\__    Broadcast, Corporate,
>>>> ||  (O)  |    Web Video Production
>>>> ----------    <www.seeingeye.tv>
>>>> _____________________________
>>>> 
>>>> 
>>>> 
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>> 
>> 
>> -- 
>> Photographers must learn not to be ashamed to have their photographs
>> look like photographs.
>> ~ Alfred Stieglitz
>> 
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