I am aware of the problem of red channel data clipping
even while the camera histogram looks fine.

All the digital cameras (non-DSLR Canons, Panasonics, Ricohs) I used
had this "feature".
It usually matters little IF the red (especially dark red) is the subject.
So while shooting a red-rich flower I always underexpose.
Trying to "expose to the right" never works for those.
The newer cameras (including my K3) are better in making files
which can be adjusted later with much less penalty of noise.

The same may apply to blue flowers as well but my experience with
dark/rich blue flowers are not much.

>Most of the time the dynamic range on the later sensors is so good,
>that running a bit under on the raw images is no problem at all.

That's what I feel, exactly,

Bulent

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Larry Colen <l...@red4est.com>, 9 Mar 2020 Pzt, 18:40 tarihinde şunu yazdı:
>
> I’m curious how people go about setting and checking exposure.  My early 
> pentax DSLRs were really bad at metering, so I just got in the habit of 
> always checking the histogram.   Blownout highlights really annoy me. I also 
> ran into an interesting metering issue with flowers and other saturated 
> colors, in that the metering isn’t color sensitive so that I’d blow out one 
> or two of the channels (usually red) while everything else had plenty of 
> lattitude.
>
>  I have gotten to the point that if I’m not shooting action and running up 
> against the K-1s miserable buffering, I’ll just bracket nominal and under by 
> a couple of stops for safety, and not having to worry about it.  Most of the 
> time the dynamic range on the later sensors is so good, that running a bit 
> under on the raw images is no problem at all.
>
> How do other people deal with this?
>
>
> --
> Larry Colen
> l...@red4est.com
>
>
>
>
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