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Gary, Charles, Joe, Jim,
Jacob, list,
>>[Ben] Object and signs are roles. They are logical roles, and their
distinction is a logical distinction
>[Gary] As I see it, it's not that simple because of the dynamical
object, the fact of inter-communication as well as internal inference,
etc.
I didn't say that logic doesn't go deep, much less that it's something with
which we merely decorate the world. It's about attaining the truth, and is a way
for one to arrange for oneself to be determined by truth, so it must have
something to do with the world, be of it and not just on it. This also goes to
the question of what it means for reality to depend on the final interpretant. I
guess I'd say that I think that the distinction between object and sign
is more basic and general than idioscopic distinctions, in that sense
in which cenoscopy is more basic and general than idioscopy. I don't
think that, as roles, they are strictly arbitrary or entirely
subject to conscious deliberate whim, and that also seems to involve my thinking
of them also as statuses, though I'm not sure what that adds to the idea of
their not being quite arbitrary; for the time being, the status element's
contribution is just a sense that I have. And special phenomena do
seem to vary in their capacity to serve as signs -- e.g., we've generally
regarded it as a question whether biological phenomana _embody_ semioses
and, in connection with that, to what extent they can be considered to
embody interpretants. I've even said that mechanical systems, or at least some
of them, from a certain perspective, could be considered to embody only
objects. Whether that is or isn't the case, it shows that I do think that
logical distinctions end up rooting themselves in some sense into the concrete,
idioscopic world. I think that they do so in such ways, for instance, as to
help motivate, justify, and reward the conception of a quasi-mind. However, I
think that the assignment or "belongingness" of such roles to things
is a relationship in the mind or quasi-mind for which things are signs and
objects, and to the extent that that mind or quasi-mind is particularized from
out of set of possibilities, likewise the object-sign relations get
particularized. The capacity of many given things to serve both as objects and
as signs is part of why it is that we have such freedom to focus on them in
either way and to let our further semiosis about them be governed by general
logical considerations. But where the freedom seems so great that the logic
seems "decorative" -- no, I don't go along with that, though I can see how I may
seem to when I emphasize that the sign-object distinction is a logical one
rather than a physical, material, biological, or psychological one. Peirce
emphasizes the importance of distinguishing logical conceptions from
psychological conceptions, and something like that spirit is what I had in
mind.
>[Gary] Charles may mean something somewhat different from what I'm
taking his two semiosical triads to be referring to (I hope he'll comment
further on them at some point), but I'll show how I see the two through an
example diagramming them in relationship to each other. [Btw, I would
recommend an analysis Charles posted 12/1/05--his "as if" post--in which he
considers certain Peircean passages which brought him to his inner/outer notion]
This is admittedly only a very preliminary analysis and I may see things
differently as I consider the two triads further (I may be conflating some of
the inner and outer aspects, or not connecting them properly--it appears, not
surprisingly, to be a very complex relationship indeed)
>[Gary] ----------
outer semiosical triad:
The sign in this case is a particular line spoken in a particular
production of Shakespeare's Much Ado About Nothing by a particular actor at one
outdoor performance in a New York City park.
|> The audience members hearing it spoken are these (selected)
interpreters: (a) a young acting student who is studying the given role, (b) an
8 y.o. child attending her first live play, (c) a Spanish speaking man without
much English language skills dragged to it by his girlfriend. (d) the director
of the play
The dynamical object is whatever meaning/emotion Shakespeare, the actor,
the director mean to convey/express in that line, through its delivery,
etc.
----------
>[Gary] However this sign as reflected in semiotic processes of the
various audience members are naturally very different semioses ( a, b, c and d)
at the moment of their each hearing and "following the meaning" of the
line:
>[Gary] ----------
inner semiosical triad [read 1/2/3]:
1. The sign is pretty much whatever the line spoken is heard as (given
educational backgrounds, language skills, the coughing of someone next to one
interpreter, a thought of the need to pay a bill at just that moment) and what
each takes it to mean, possibly accompanying thoughts, etc.
1/2/3 |> 3. The interpretant also will be very different for
each (much could be said about the various interpretants, but not in this
diagram!)
2. The immediate object varies considerably for each (you'll have to
imagine what this might entail, but there is enough difference to suggest what I
have in mind)
----------
>[Gary] Although this is perhaps different from how Charles sees the two
relating, I connected them in the following way in a recent post [this kind of
analysis "back and forth" between two communicators within the context of a real
world of experience is also Peirce's approach in the "Stormy Day" letter to
William James which, btw, has pertinence to the present discussion]
>[Gary] -------
outer semiosical triad: . . inner
semiosical triad:
. . . . .
. . . . .
. . sign
sign: . . .
. . . . . . |>
interpretant
|> interpreter . . . .
. . immediate object
dynamical object
--------
Generally, I don't see that there is anything in this that contradicts what
I said about (the conception of) an interpreter not introducing something
unaccounted for, in terms of basic semiotic elements, in the
object-sign-interpretant trichotomy. If, however, this is in some sort of
relation to an conception of recognition as "really" being an interpreter, a
grand interpretant, I've addressed it a lot more explicitly and with
arguments in past posts.
>[Gary] Well, whether or not this particular analysis will hold, the
point is to connect the sign with the inferences of living, breathing,
thinking, feeling, human intelligences (Man as symbol) and as this occurs in
the world of experience where object and sign are not just roles. As
for the individual as he is involved in these complex patterns of semioses:
>[Gary] CP 7.583 We have already seen that every state of
consciousness [is] an inference; so that life is but a sequence of inferences or
a train of thought. At any instant then man is a thought, and as thought is a
species of symbol, the general answer to the question what is man? is that he is
a symbol. . .
I hope I've already clarified that I don't regard logical roles as roles in
a mereness sense. However, I don't see where you've addressed the question of
how an experience receives logical determination from semiosis such as to be a
recognition of the consistency, truth, validity, soundness, etc., of object,
sign, interpretant in respect to one another, and how the experience would do
this without being an interpretant that, contradictorily to Peircean semiotics,
acquaints or further acquaints the mind with the object.
>[Gary] Ben gives the inference process as a fourth element.
>>[Ben] ---------
1. multi-objective optimization process ~ ~ 3. cybernetic process
2. stochastic process ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ 4. inference process
---------
>[Gary] But there is no need for a fourth semeiotic element to explain
such inference in the way of looking at matters as suggested by 7.583.
Well, I hope you haven't gotten the idea that I think that the four
semiotic elements are to be equated rather than merely correlated to those
processes mentioned in my table. The point was inter-table correlations across
to various other tables in my post [peirce-l] Re: The "composite photograph"
metaphor, August 20, 2006 (August 21st at gmane, http://article.gmane.org/gmane.science.philosophy.peirce/1325 ).
In any case, you've made an assertion, not an argument, and I've made arguments,
including many on this thread. Rather than improvising a rehash of them to a
very general assertion, I refer you to them.
Best,
Ben
---Message from peirce-l forum to subscriber [email protected] |
- [peirce-l] Re: The "composite photograph" metap... Charles F Rudder
- [peirce-l] Re: The "composite photograph" ... Benjamin Udell
- [peirce-l] Re: The "composite photograph&qu... Benjamin Udell
- [peirce-l] Re: The "composite photograp... Joseph Ransdell
- [peirce-l] Re: The "composite photograph" metap... Charles F Rudder
- [peirce-l] Re: The "composite photograph" ... Jim Piat
- [peirce-l] Re: The "composite photograph&qu... Gary Richmond
- [peirce-l] Re: The "composite photograph&qu... Benjamin Udell
- [peirce-l] Re: The "composite photograp... Joseph Ransdell
- [peirce-l] Re: The "composite photograp... Gary Richmond
- [peirce-l] Re: The "composite photo... Benjamin Udell
- [peirce-l] Re: The "composite photograph" ... Benjamin Udell
- [peirce-l] Re: The "composite photograph" metap... Charles F Rudder
- [peirce-l] Re: The "composite photograph" metap... Benjamin Udell
- [peirce-l] Re: The "composite photograph" ... Joseph Ransdell
- [peirce-l] Re: The "composite photograph" ... Joseph Ransdell
- [peirce-l] Re: The "composite photograph" metap... Gary Richmond
- [peirce-l] Re: The "composite photograph" metap... Benjamin Udell
- [peirce-l] Re: The "composite photograph" ... Joseph Ransdell
- [peirce-l] Re: The "composite photograph" metap... Charles F Rudder
- [peirce-l] Re: The "composite photograph" ... Benjamin Udell
