Well, it seems I started this interesting and useful thread under false pretences: when I arrived at the studio I found it lit with some sort of unidentifiable (to me) studio lights bounced off a very high ceiling. No fluorescent tubes in sight. Nevertheless I went ahead as planned, shooting on colour neg (NPH) and fairly confident, after reading the replies on this list, that I could correct any colour cast in Photoshop.
I am very happy with the results. The pictures turned out to have a rather pleasing warm tone which needs virtually no correction. Working in this way, shooting on colour neg in available light and sorting out possible colour casts in PS, is a welcome return to the flexibility of fly-on-the-wall B&W reportage. Thanks to all those who replied to my original posting.
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Philip Wolmuth

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