> -----Original Message-----
> From: Martin Evening
> Sent: March 17, 2003 3:12 AM
> 
> I gather that you are printing to the heavyweight matte 
> paper. This is 
> strange and my experience is this. I have used the
heavyweight matte 

She was using Enhanced Matte for these prints.

> paper on the 1290 and the 1290 inks (which are different)
and it is 
> quick drying and the colour is pretty much correct as soon
as the 
> printer spits it out. When I use premium glossy, the
shadow tones are 
> noticeably green at first and I will normally allow the
print to dry 
> for several hours before making an evaluation. Is it at
all possible 
> that the print colours are being judged too soon - are you

> allowing the 
> prints to fully dry first? I have also read of chemical
contamination 

When I dropped by her studio, she had dozens of the
identical print, all with slightly different settings that
she had tried with Epson support on the phone. They had been
drying for days by that point.

> that can rapidly affect a print. Like the story of a
photographer who 
> left an inkjet print on a pillow and chemicals in the
pillow 
> turned the 
> print yellow in a matter or hours! Was there anything
unusual 
> about the 
> way the prints were being stored?

Nope. I took some of the samples I printed while at her
studio, and stored them on a table top in my studio. The
prints I did on my in-house setup look glorious (7600), hers
look horrific. Could it be Epson has a St. Patrick's day egg
in their 2200 driver that's causing the green shift? :)

I've asked her to give Carl's method a try:

 
http://www.luminous-landscape.com/reviews/printers/2200-bw.s
html

Seems counter-intuitive, however...

Failing that, I'll build her a custom profile and go from
there. It's just unfortunate that this kind of thing happens
all the time. Photographers turn to digital and then run in
to a wall of problems they never thought they'd have to deal
with.

Cheers,

Derek Cooper
www.derekcooper.com


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